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The Expulsion of Heliodorus from the Temple, 1674 (oil on canvas)
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The Expulsion of Heliodorus from the Temple, 1674 (oil on canvas)
BAL285680 The Expulsion of Heliodorus from the Temple, 1674 (oil on canvas) by Lairesse, Gerard de (1640-1711); 89x77 cm; Private Collection; (add.info.: from 2 Maccabees, 3:21-28; Heliodorus is sent by King Seleucus of Syria to take the treasure preserved in the temple of Jerusalem; at the request of the high priest Onias, God sends a horseman and two youths to banish him from the temple; ); Johnny Van Haeften Ltd. London; French, out of copyright
Media ID 12797977
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Aggression Anger Banishment Beating Coins Onlookers Punishing Solomon Stealing Thief Thrashing Whipping
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The Expulsion of Heliodorus from the Temple, painted by Gerard de Lairesse in 1674, captures a dramatic biblical scene filled with tension and divine intervention. This oil on canvas print measures 89x77 cm and is currently held in a private collection. Based on the story from 2 Maccabees, 3:21-28, the painting depicts King Seleucus of Syria sending Heliodorus to seize the treasure stored within the temple of Jerusalem. However, at the plea of high priest Onias, God intervenes by sending a horseman and two youths to banish Heliodorus from the sacred grounds. The composition showcases an intense moment as Heliodorus is fiercely beaten and thrashed by angels while attempting to steal gold coins. The interior setting reveals onlookers witnessing this divine punishment with expressions ranging from anger to aggression. Lairesse's masterful use of baroque style brings forth dynamic movement through his portrayal of horses galloping and soldiers whipping their weapons. The artist skillfully conveys both physical force and spiritual power in this powerful depiction. This remarkable artwork not only highlights themes such as theft, punishment, and banishment but also serves as a testament to Lairesse's artistic prowess during this period. It stands as an enduring reminder that even in times of great turmoil, justice will prevail.
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