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The Duchess of Sussex (oil on canvas)
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The Duchess of Sussex (oil on canvas)
XIR370273 The Duchess of Sussex (oil on canvas) by Lawrence, Thomas (1769-1830); Musee des Beaux-Arts et d Archeologie, Besancon, France; (add.info.: Lady Augusta Murray (1768-1830) married in 1793 Prince Augustus Frederick, Duke of Sussex (1773-1843), 6th son of George III and Queen Charlotte; marriage annulled in 1794 because not authorised by the King under the Royal Marriages Act; despite having two children with the Duke, Lady Augusta was never formally recognised either as his wife or as Duchess of Sussex although after her separation from the Duke in 1801 she used the title of Duchess of Sussex; ); English, out of copyright
Media ID 12868760
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Decollete Empire Line Dress Hanoverian Lapdog Regency
EDITORS COMMENTS
This print showcases "The Duchess of Sussex" painted by Thomas Lawrence, an esteemed artist from the 18th century. The oil on canvas masterpiece is housed in the Musee des Beaux-Arts et d'Archeologie in Besancon, France. The subject of this portrait is Lady Augusta Murray, who married Prince Augustus Frederick, Duke of Sussex in 1793. However, their marriage was annulled a year later as it was not authorized by King George III under the Royal Marriages Act. Despite this setback, Lady Augusta had two children with the Duke and continued to use the title of Duchess of Sussex after their separation in 1801. In this half-length portrait, Lady Augusta exudes elegance and regality befitting her status as a duchess. She dons a stunning empire line dress that accentuates her figure while also reflecting the fashion trends of the Regency era. A small lapdog sits gracefully beside her, symbolizing both companionship and luxury. Thomas Lawrence's attention to detail shines through in his portrayal of Lady Augusta's delicate features and expressive eyes. The painting captures her beauty and grace with remarkable precision. This print invites us into a world where aristocracy meets artistry—a glimpse into history that tells a story of love thwarted by societal constraints yet still leaving an indelible mark on our collective memory.
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