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Diego de Almagro, Francisco Pizarro and Friar Vicente de Valverde kneeling before

Diego de Almagro, Francisco Pizarro and Friar Vicente de Valverde kneeling before


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Diego de Almagro, Francisco Pizarro and Friar Vicente de Valverde kneeling before

XJF425629 Diego de Almagro, Francisco Pizarro and Friar Vicente de Valverde kneeling before Atahualpa Inca at Cajamarca (woodcut) by Poma de Ayala, Felipe Huaman (1526-1613); Private Collection; (add.info.: from The New Chronicle and Good Government, El Nueva Coronica y Buen Gobierno ; Diego del Amagro (c.1475-1538) and Francisco Pizarro Gonzalez (c.1471-1541) Spanish conquistadors; Vincente de Valverde (c.1490-c.1543) Spanish bishop active in Peru; Atahualpa (1497-1533) last Sapa Inca, Incan emperor; Atahualpa met with the conquistadors voluntarily before the Battle of Cajamarca finally erupted, the battle would ultimately lead to his death; ); Peruvian, out of copyright

Media ID 12805297

© www.bridgemanart.com

Colonization Colony Conquering Conquest Conquistador Guards Incas Presenting Spears Translating Translator


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EDITORS COMMENTS
This woodcut print, titled "Diego de Almagro, Francisco Pizarro and Friar Vicente de Valverde kneeling before Atahualpa Inca at Cajamarca" transports us back to a pivotal moment in history. The image depicts the meeting between Spanish conquistadors Diego de Almagro and Francisco Pizarro, along with Friar Vicente de Valverde, and the powerful Incan emperor Atahualpa. Kneeling before Atahualpa's majestic presence, this scene captures the delicate balance of power during the early stages of European colonization in South America. The conquistadors are adorned in their formidable armor while Friar Vicente presents a Bible to Atahualpa, symbolizing both religion and conquest intertwining. Atahualpa's decision to meet with the Spaniards voluntarily would ultimately seal his tragic fate. Little did he know that this encounter would ignite the Battle of Cajamarca, leading to his demise and marking a turning point for both empires involved. The artist behind this masterpiece is Felipe Huaman Poma de Ayala (1526-1613), whose work was featured in "The New Chronicle and Good Government". This woodcut print serves as an important historical document that sheds light on the clash between two worlds - one seeking dominance over land and resources while another fights desperately to preserve its ancient empire. As we gaze upon this remarkable artwork from Peru's rich cultural heritage, we are reminded of the complexities inherent in colonialism: power dynamics, cultural clashes, and irreversible consequences that continue to shape our world today.

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