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Deposition with Virgin Mary and Saints, 1523-24 (oil on panel)
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Deposition with Virgin Mary and Saints, 1523-24 (oil on panel)
XAL379730 Deposition with Virgin Mary and Saints, 1523-24 (oil on panel) by Sarto, Andrea del (1486-1530); 239 x 199 cm; Palazzo Pitti, Florence, Italy; (add.info.: St. John, the beloved disciple and the Virgin raise the body of the dead Christ; at his feet Mary Magdalen with her jar of precious ointment and St. Catherine; behind are St. Peter with outstretched hand and St, Paul; chalice and host symbolise the promise of the gift of the Eucharist after Christs death and resurrection; Pieta painted for the convent of S. Piero at Luco; ); Italian, out of copyright
Media ID 12803636
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Devotion Disciples Grief Katherine Lamentation Magdalene Mourning
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This print showcases Andrea del Sarto's masterpiece, "Deposition with Virgin Mary and Saints" created in 1523-24. The oil on panel painting measures an impressive 239 x 199 cm and is housed in the Palazzo Pitti in Florence, Italy. In this poignant depiction of mourning and grief, we witness St. John, the beloved disciple, and the Virgin Mary tenderly lifting the lifeless body of Christ. At His feet kneels Mary Magdalene, clutching her jar of precious ointment as a symbol of devotion. Standing behind them are St. Catherine alongside St. Peter with his outstretched hand and St. Paul. The chalice and host prominently featured in the composition represent the promise of the gift of Eucharist following Christ's death and resurrection—a powerful reminder of faith for viewers during that time. Originally painted for the convent of S. Piero at Luco, this Pieta exudes profound emotion through its skillful execution by del Sarto—an Italian artist known for his ability to capture human sentimentality with great sensitivity. As we gaze upon this remarkable artwork captured beautifully by Fine Art Finder from www. bridgemanart. com, we are transported into a world where sorrow intertwines with devotion—a testament to both motherly love and unwavering discipleship.
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