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The Creation of Eve and Original Sin (detail of original sin), 1430 (fresco transferred
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The Creation of Eve and Original Sin (detail of original sin), 1430 (fresco transferred
XIR897803 The Creation of Eve and Original Sin (detail of original sin), 1430 (fresco transferred to canvas) by Uccello, Paolo (1397-1475); Santa Maria Novella, Florence, Italy; (add.info.: La Creation d Eve et le Pecheoriginel. Detail : le Pecheoriginel
NOTE: Cycle of frescoes kept in the cloister bays (the frescoes a series of rectangular and horizontally organised paintings surmounted by a bezel). Two of the compositions are attributed to Uccello. Here, it is one of the rectangular paintings situated under the Creation of the Animals and of Adam. The other fresco depicts overcoming of the Flood by Noah revealing his sacrifice and exhilaration. The frescoes were taken off the wall in 1940 and are now kept at the Santa Maria Novella Museum.
); Italian, out of copyright
Media ID 12944168
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Chapel Cloisters Creation Damnation Florentine School Original Sin Santa Maria Novella Temptation Serpent
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This print captures a mesmerizing detail of "The Creation of Eve and Original Sin" fresco by Paolo Uccello. Created in 1430, this masterpiece has been transferred to canvas, allowing us to appreciate its intricate details with utmost clarity. In this particular section of the fresco, we witness the moment that forever changed humanity's destiny - the original sin. The painting depicts Eve standing next to the forbidden tree, her hand extended towards a luscious fruit offered by a cunning serpent coiled around its branches. This scene symbolizes temptation and mankind's fall from grace. Uccello's skillful brushwork brings life to every element within this composition. The delicate portrayal of Eve showcases both vulnerability and curiosity as she succumbs to temptation. The sinuous form of the snake adds an air of deceitfulness while emphasizing its role as the catalyst for humankind's downfall. Located in Santa Maria Novella, Florence, Italy, these frescoes are part of a larger cycle displayed in the cloister bays. Two compositions within this series are attributed to Uccello himself, showcasing his mastery over storytelling through art. Although removed from their original location in 1940 for preservation purposes, these remarkable frescoes now find their home at the Santa Maria Novella Museum where they continue to inspire awe among visitors. Through this photo print, we can delve into one small fragment of Uccello's magnificent creation and reflect upon themes such as temptation, damnation, and our eternal struggle between good and evil.
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