Dante and Virgil at the edge of the abyss from which a foetid smell steamed up: Canto XI. Illustration by Gustave Dore for Dante Inferno, 1863. Wood engraving

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Dante and Virgil at the edge of the abyss from which a foetid smell steamed up: Canto XI. Illustration by Gustave Dore for Dante Inferno, 1863. Wood engraving

536434 Dante and Virgil at the edge of the abyss from which a foetid smell steamed up: Canto XI. Illustration by Gustave Dore for Dante Inferno, 1863. Wood engraving; (add.info.: Dante and Virgil at the edge of the abyss from which a foetid smell steamed up: Canto XI. Illustration by Gustave Dore for Dante Inferno, 1863. Wood engraving); Universal History Archive/UIG

Media ID 38402320

© Universal History Archive/UIG / Bridgeman Images

1863 Abyss Canto Dante Dore Edge Gustave Inferno Smell Steamed Timbers Virgil Wood (material) Wood Material

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EDITORS COMMENTS
In Gustave Dore's haunting illustration for Dante's Inferno, we are transported to the edge of the abyss where Dante and Virgil stand, enveloped in a foetid smell that steams up from below. The wood engraving captures the eerie atmosphere of Canto XI, as the two figures confront the punishment and suffering that await them in the depths of Hell. Dante's vivid descriptions come to life through Dore's intricate details and masterful technique. The swirling clouds of smoke and fire create a sense of foreboding, while Dante and Virgil appear small and vulnerable against the vast expanse of darkness. As we gaze upon this print, we are reminded of the power of literature to transport us to other worlds and challenge our perceptions. Through Dante's words and Dore's artistry, we are invited to contemplate themes of sin, redemption, and divine justice. This illustration serves as a visual representation of one man's journey through Hell, guided by his trusted companion. It is a reminder that even in our darkest moments, there is always hope for salvation.

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