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Costume design for an Acrobat in Benvenuto Cellini by Hector Berlioz (1803-69)

Costume design for an Acrobat in Benvenuto Cellini by Hector Berlioz (1803-69)


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Costume design for an Acrobat in Benvenuto Cellini by Hector Berlioz (1803-69)

XIR156982 Costume design for an Acrobat in Benvenuto Cellini by Hector Berlioz (1803-69), 1838 (pen and ink and wash on paper) by Lormier, Paul (fl.1838-1841); Bibliotheque de l Opera Garnier, Paris, France; French, out of copyright

Media ID 18251133

© Bibliotheque de l'Opera Garnier, Paris, France / Bridgeman Images

Theatrical


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> Arts > Artists > B > Hector Berlioz

> Arts > Artists > L > Paul Lormier

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> Fine Art Finder > Artists > Paul Lormier

> Fine Art Finder > Theatre, Ballet, Opera & Cinema


EDITORS COMMENTS
This print showcases a stunning costume design for an acrobat in the opera "Benvenuto Cellini" by Hector Berlioz. Created in 1838 by Paul Lormier, this pen and ink drawing with wash on paper transports us to the vibrant world of theatrical performance. The intricate details of the costume are truly mesmerizing. The acrobat's outfit is adorned with feathers, sequins, and delicate lace, exuding an air of elegance and grandeur. The flowing lines and dynamic composition capture the essence of movement and grace that define the artistry of acrobatics. As we gaze at this artwork, we can almost hear the enchanting melodies filling the opera house. The design perfectly complements Berlioz's masterpiece, adding another layer of visual splendor to his musical genius. Preserved in Bibliotheque de l'Opera Garnier in Paris, France, this historical gem allows us to delve into the rich heritage of French opera. It serves as a testament to both Lormier's artistic talent and his contribution to bringing Berlioz's vision to life on stage. This print from Fine Art Finder invites us into a world where imagination takes flight through music and theater. It reminds us that behind every breathtaking performance lies countless hours dedicated to crafting exquisite costumes that enhance our experience as spectators.

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