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A Concert of Hector Berlioz (1803-69) in 1846 (engraving)
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A Concert of Hector Berlioz (1803-69) in 1846 (engraving)
XIR176097 A Concert of Hector Berlioz (1803-69) in 1846 (engraving) by Geiger, Andreas (1765-1856); Musee de l Opera, Paris, France; (add.info.: Un concert de Berlioz en 1846; ); Austrian, out of copyright
Media ID 12741828
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Audience Brass Cannon Conducting Conductor Double Bass Hammer Horror Modern Modernity Noise Orchestra Orchestral Outrage Percussion Shock Shocked Tuba Bass Drum
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EDITORS COMMENTS
This satirical engraving captures the chaotic scene of a concert by Hector Berlioz in 1846. Created by Andreas Geiger, this artwork depicts the composer's innovative and unconventional approach to music, which often shocked and outraged traditionalists. In this caricature, we see an orchestra filled with musicians playing various instruments including cannons, hammers, bass drums, tubas, brass instruments, and double basses. The audience is shown in a state of shock and horror as they witness this unmusical cacophony unfold before their eyes. Berlioz himself stands at the center of the chaos with his hand on his hips, conducting with a look of both pride and mischief on his face. His modernity in pushing boundaries is evident as he challenges conventional orchestral norms. The engraving cleverly portrays the clash between tradition and innovation within classical music during Berlioz's time. It highlights how his unique compositions challenged societal expectations while simultaneously captivating audiences who were open to embracing new musical experiences. This print serves as a reminder that true artistry often evokes strong emotions and reactions from its viewers. Berlioz's concert depicted here may have been met with outrage initially but ultimately contributed to shaping the future of classical music through its bold experimentation.
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