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The Boyars Ground in the Moscow Kremlin, 1801 (oil on canvas)

The Boyars Ground in the Moscow Kremlin, 1801 (oil on canvas)


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The Boyars Ground in the Moscow Kremlin, 1801 (oil on canvas)

BAL153250 The Boyars Ground in the Moscow Kremlin, 1801 (oil on canvas) by Alekseev, Fedor Yakovlevich (1753-1824); 85x116 cm; Pushkin Museum, Moscow, Russia; Russian, out of copyright

Media ID 12757982

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Boyar Boyard Kreml Onion Dome Promenade Streetscene


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> Architecture > Country > Russia

> Architecture > Styles > Russian Architecture

> Arts > Artists > A > Fedor Yakovlevich Alekseev

> Europe > Russia > Moscow

> Fine Art Finder > Artists > Fedor Yakovlevich Alekseev

> Fine Art Finder > Russia & Surrounding Countries


EDITORS COMMENTS
This print showcases "The Boyars Ground in the Moscow Kremlin" painted by Fedor Yakovlevich Alekseev in 1801. The oil on canvas masterpiece, measuring 85x116 cm, is housed at the prestigious Pushkin Museum in Moscow, Russia. Alekseev's work beautifully captures the essence of Russian architecture and history. The painting depicts a bustling scene within the fortress walls of the Moscow Kremlin, with its iconic onion domes towering above. The artist skillfully portrays a streetscape filled with people enjoying a leisurely promenade. As we gaze upon this remarkable artwork, we are transported back to early 19th-century Russia. The boyars, or noblemen, stroll along the grounds adorned in their elegant attire while engaging in lively conversations and exchanging pleasantries. The attention to detail is extraordinary; every brushstroke brings life to each figure and building depicted within this historical composition. Alekseev's use of color and light adds depth and dimension to his portrayal of this architectural marvel. "The Boyars Ground in the Moscow Kremlin" serves as a testament to both Alekseev's artistic prowess and his deep appreciation for Russian culture and heritage. This timeless piece continues to captivate viewers today as it did when it was first created over two centuries ago.

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