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Asakusa Rice Fields during the festival of the Cock from the series Meisho Edo Hyakkei (One Hundred Views of Edo) 1861 (colour woodblock print)

Asakusa Rice Fields during the festival of the Cock from the series Meisho Edo Hyakkei (One Hundred Views of Edo) 1861 (colour woodblock print)


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Asakusa Rice Fields during the festival of the Cock from the series Meisho Edo Hyakkei (One Hundred Views of Edo) 1861 (colour woodblock print)

XIR253121 Asakusa Rice Fields during the festival of the Cock from the series Meisho Edo Hyakkei (One Hundred Views of Edo) 1861 (colour woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); 33.8x22.9 cm; Musee Claude Monet, Giverny, France; (add.info.: private collection of Claude Monet;); Japanese, out of copyright

Media ID 12771744

© Bridgeman Images

Paddy Field Ukiyo E


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> Arts > Artists > A > Hiroshige Ando

> Arts > Artists > Ando Hiroshige

> Arts > Artists > Claude Monet > Giverny gardens

> Arts > Artists > Claude Monet > Japanese bridge

> Arts > Artists > Claude Monet

> Arts > Artists > Claude Monet

> Arts > Artists > H > Ando Hiroshige

> Arts > Artists > H > Utagawa Hiroshige

> Arts > Artists > M > Claude Monet

> Arts > Artists > U > Hiroshige Utagawa

> Fine Art Finder > Artists > Ando or Utagawa Hiroshige


EDITORS COMMENTS
This color woodblock print, titled "Asakusa Rice Fields during the festival of the Cock" is part of Hiroshige's renowned series Meisho Edo Hyakkei (One Hundred Views of Edo). Created in 1861, this masterpiece measures 33.8x22.9 cm and is housed at the Musee Claude Monet in Giverny, France. The image transports us to a serene scene within Asakusa Rice Fields during a festive occasion. The vibrant colors and intricate details bring life to this snapshot of traditional Japanese culture. Through Hiroshige's skilled craftsmanship, we witness the harmonious coexistence between nature and human celebration. The composition showcases a window into an idyllic paddy field landscape with lush greenery stretching as far as the eye can see. The rhythmic patterns created by rows upon rows of rice plants evoke a sense of tranquility and harmony with nature. Intriguingly, amidst this peaceful setting, we catch glimpses of festivities associated with the festival of the Cock. This cultural event brings together locals dressed in colorful attire engaging in various activities such as dancing, music performances, and food stalls bustling with energy. Claude Monet himself was captivated by this artwork from his private collection—a testament to its timeless beauty and artistic significance. This remarkable piece exemplifies ukiyo-e art's ability to transport viewers across time and space while preserving Japan's rich cultural heritage for generations to come.

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