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A Sioux Chief, c. 1898 (platinum print)

A Sioux Chief, c. 1898 (platinum print)


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A Sioux Chief, c. 1898 (platinum print)

3493230 A Sioux Chief, c.1898 (platinum print) by KAasebier, Gertrude (1852-1934); Metropolitan Museum of Art, New York, USA; (add.info.: Photograph by Joseph Turner Keiley (1869-1914) who together with Gertrude KAasebier (1852-1934) photographed a group of Lakota Sioux--including Has-No-Horses--who were in New York as part of Buffalo Bills Wild West show. ); American, out of copyright

Media ID 23136118

© Bridgeman Images

American Indian Buffalo Bill Chief Indian Chief Lakota North American Old West Show Sioux Tribe Wild West America Continent


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> Animals > Farm > Horses > Related Images

> Animals > Mammals > Horse > Related Images

> Arts > Artists > K > Gertrude Kasebier

> Arts > Artists > M > William Sidney Mount

> Arts > Artists > T > B.W. Turner

> Arts > Contemporary art > Photography > Portraits

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

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> Arts > Street art graffiti > Portraits > Fine art

> Fine Art Finder > America & American Art (+canada)

> Fine Art Finder > Artists > Gertrude Käsebier

> Fine Art Finder > Artists > William Sidney Mount


EDITORS COMMENTS
This platinum print captures the essence of a Sioux Chief in 1898. The photograph, taken by Gertrude Kasebier and Joseph Turner Keiley, showcases the dignified presence of Has-No-Horses, a member of the Lakota Sioux tribe who was part of Buffalo Bill's Wild West show in New York. In this black and white portrait, we see a man adorned with traditional tribal attire. His head is held high, exuding strength and wisdom that only comes from being a respected leader. The intricate details on his headdress reflect his status as an esteemed chief within his tribe. The image transports us back to a time when Native American culture was both celebrated and exploited for entertainment purposes. It serves as a reminder of the complex history between indigenous peoples and settlers in North America during this era. Through this photograph, Kasebier and Keiley capture not just the physical features but also the spirit of Has-No-Horses. They showcase his resilience amidst cultural assimilation efforts while honoring his heritage through their artistry. Displayed at the Metropolitan Museum of Art in New York City, this powerful image invites viewers to contemplate the rich tapestry of Native American history within the broader context of American society.

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