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Titlepage to A Short View of the Immorality and Profaneness of the English Stage
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Titlepage to A Short View of the Immorality and Profaneness of the English Stage
XJF377149 Titlepage to A Short View of the Immorality and Profaneness of the English Stage by Jeremy Collier, 1698 (printed paper) by English School, (17th century); Private Collection; (add.info.: Jeremy Collier (1650-1726) English writer and non-juror bishop; ); English, out of copyright
Media ID 22914100
© Bridgeman Images
Critic Criticism Morality Theatrical Title Page
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EDITORS COMMENTS
The captivating title page of "A Short View of the Immorality and Profaneness of the English Stage" by Jeremy Collier, printed in 1698, is a visual testament to the power of criticism and morality in the theatrical world. This intricate print, created by an anonymous English artist from the 17th century, now resides in a private collection. Jeremy Collier, an influential writer and non-juror bishop during his time (1650-1726), boldly challenged the immorality and profanity prevalent on the English stage. His work sparked controversy but also ignited a much-needed conversation about ethics within theater. The title page itself exudes grandeur with its elaborate design. The central image features a dramatic scene from a play, highlighting both its allure and potential for moral corruption. Surrounding this centerpiece are ornate borders adorned with symbolic motifs representing various aspects of theater. This print serves as a reminder that art can be both beautiful and thought-provoking. It encapsulates Collier's critique while showcasing his profound understanding of theatrical aesthetics. As we gaze upon this historical artifact, we are transported back to an era where critics like Jeremy Collier dared to challenge societal norms through their written words. It stands as a testament to their unwavering commitment to uphold moral values even in unconventional domains such as theater. In preserving this piece of history, we honor not only Jeremy Collier's legacy but also those who continue to question and redefine artistic boundaries today.
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