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The Polling, illustration from Hogarth Restored: The Whole Works of the celebrated
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The Polling, illustration from Hogarth Restored: The Whole Works of the celebrated
STC451173 The Polling, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub. 1812 (hand-coloured engraving) by Hogarth, William (1697-1764); Private Collection; (add.info.: from the Humours of an Election series; ); The Stapleton Collection; English, out of copyright
Media ID 23183552
© The Stapleton Collection / Bridgeman Images
Booth Coercion Corrupt Corruption Disabled English Politics Intimidation Invalid Polling Station Rowdy Tories Voters Voting Whigs Mentally Physically
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The Polling, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub. 1812 (hand-coloured engraving) captures a lively scene from the Humours of an Election series. In this satirical depiction of English politics in the 18th century, we witness a chaotic polling station filled with rowdy men representing different political parties. Hogarth's keen eye for detail and his ability to capture human nature shines through in this humorous print. The artist uses exaggerated facial expressions and body language to convey the intensity and absurdity of election day. Amongst the crowd, we can spot both physically disabled and mentally challenged individuals being coerced or intimidated into voting for their preferred party. The cartoon-like quality adds an element of light-heartedness to what was undoubtedly a corrupt system during that time period. The Tories and Whigs engage in all sorts of questionable tactics to secure votes, showcasing the rampant corruption prevalent in Georgian England. This hand-coloured engraving not only serves as a historical document but also highlights Hogarth's mastery at blending social commentary with artistic skill. It provides us with valuable insights into English politics while entertaining us with its witty portrayal of voters' behavior. As we gaze upon this print from Fine Art Finder's Stapleton Collection, we are reminded that satire has long been used as a powerful tool to expose societal flaws and challenge authority.
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