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The Lottery, illustration from Hogarth Restored: The Whole Works of the celebrated
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The Lottery, illustration from Hogarth Restored: The Whole Works of the celebrated
STC451207 The Lottery, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub. 1812 (hand-coloured engraving) by Hogarth, William (1697-1764); Private Collection; The Stapleton Collection; English, out of copyright
Media ID 22672086
© The Stapleton Collection / Bridgeman Images
Apollo Britannia Curtains Dangers Gambling Guildhall Lotteries Moralising Warning Justice National Lottery
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The Lottery, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub. 1812 (hand-coloured engraving) captures the essence of Georgian society with its satirical and moralizing undertones. In this image, Hogarth masterfully depicts the dangers and warning signs associated with lotteries. The scene unfolds in a grand theater-like setting adorned with elaborate curtains. Symbolically representing the City of London's financial district, it serves as a stage for an allegorical performance on gambling and public credit. The central figure is Britannia herself, personifying justice and national identity. Surrounded by characters eagerly participating in the lottery draw, Britannia stands tall atop a pedestal holding scales to weigh out fairness. Her presence reminds viewers that even seemingly innocent pursuits like lotteries can have dire consequences if not approached responsibly. Hogarth's meticulous attention to detail brings every element to life – from Apollo playing his lyre above to various individuals engaged in animated conversations below. Through this intricate composition, he exposes the vices prevalent within society during the eighteenth century. This hand-colored engraving from Bridgeman Images offers us a glimpse into history while serving as a timeless reminder about human nature and its propensity for both risk-taking and caution.
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