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An Election Entertainment, illustration from Hogarth Restored
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An Election Entertainment, illustration from Hogarth Restored
STC451233 An Election Entertainment, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub. 1812 (hand-coloured engraving) by Hogarth, William (1697-1764); Private Collection; (add.info.: from the Humours of an Election series; A tavern dinner organised by Whig candidates, while the Tories protest against the adoption of the Gregorian calendar outside; A banner containing the words Give us our Eleven Days lies on the floor of the tavern; ); The Stapleton Collection; English, out of copyright
Media ID 22667828
© The Stapleton Collection / Bridgeman Images
Antisemitism Brick Candidate Canvassing Chaos Corruption Demonstrating Drunken Drunkenness Elections English Politics Knocked Out Protesting Reform Rioting Riots Rowdy Supporters Throwing Tory Whigs
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An Election Entertainment, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub. 1812 (hand-coloured engraving) captures a chaotic scene during an election in 18th century England. In this humorous and satirical artwork from the Humours of an Election series, we witness a tavern dinner organized by Whig candidates while Tories protest outside. The image is filled with lively characters and details that reflect the political climate of the time. A banner demanding "Give us our Eleven Days" lies on the floor, symbolizing the ongoing debate surrounding the adoption of the Gregorian calendar. Amidst rowdy supporters and rioting protestors, politicians engage in canvassing tactics to win votes. Hogarth's sharp wit is evident as he portrays various elements such as drunkenness, corruption, and even antisemitism within this bustling inn setting. The artist masterfully uses caricature to exaggerate features and actions for satirical effect. This hand-colored engraving offers a glimpse into English politics during this period with its mix of humor and social commentary. It serves as both entertainment and critique, highlighting not only the absurdity but also some darker aspects of electoral processes. As part of The Stapleton Collection housed in a private collection today, this print showcases Hogarth's enduring influence on art history through his ability to capture complex narratives within single images.
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