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The Head of the Family in Good Humour, pub. Thomas Tegg, January 15

The Head of the Family in Good Humour, pub. Thomas Tegg, January 15


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The Head of the Family in Good Humour, pub. Thomas Tegg, January 15

779964 The Head of the Family in Good Humour, pub. Thomas Tegg, January 15, 1809 (hand-coloured engraving) by Rowlandson, Thomas (1756-1827); Private Collection; (add.info.: After George Moutard Woodward (c.1760-1809)); The Stapleton Collection; English, out of copyright

Media ID 23483820

© The Stapleton Collection / Bridgeman Images

Generals International Relations John Bull


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> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > W > George Moutard Woodward

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> Fine Art Finder > Cartoons, Caricatures & Humour

> Humour > Cartoon

> People > Politicians


The Head of the Family in Good Humour

EDITORS COMMENTS
is a captivating and satirical hand-coloured engraving created by Thomas Rowlandson in 1809. This artwork, published by Thomas Tegg on January 15th, humorously depicts the political landscape of Britain during the early 19th century. The central figure portrayed in this caricature is John Bull, a personification of England. He stands tall and proud, exuding confidence and good humor. Surrounding him are various generals and politicians who represent different aspects of international relations at that time. Rowlandson's skillful use of satire brings to light the complexities and absurdities within British politics. Through exaggerated features and comical expressions, he highlights the idiosyncrasies of these influential figures. This print offers a glimpse into the social commentary prevalent during this era. It serves as both entertainment for viewers seeking amusement from political affairs and as a reflection on power dynamics within society. As an important piece from The Stapleton Collection, "The Head of the Family in Good Humour" showcases Rowlandson's mastery as an artist while shedding light on historical events through his unique lens. Its vibrant colors add depth to its already compelling narrative. This hand-coloured engraving remains relevant today due to its timeless themes surrounding politics, international relations, and human nature itself. It continues to captivate audiences with its wit, making it an invaluable addition to any art collection or exhibition dedicated to British satire from the early 19th century.

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