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The Man Mundil or Hindoo Observatory, Benares 1829 (pencil and watercolour)
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The Man Mundil or Hindoo Observatory, Benares 1829 (pencil and watercolour)
651908 The Man Mundil or Hindoo Observatory, Benares 1829 (pencil and watercolour) by Prinsep, James (1799-1840); 17.5x26.4 cm; Private Collection; (add.info.: Man Mandir and Man Singh Observatory. The building was converted into an observatory by Jysing, A.D. 1680...The large stone azimuth circle is nearly seen towering above the centre of the building...The rooms nearest to the spectator were the residence of the chief pundit, who had a small equatorial dial on top of his house, to serve, no doubt as his private chronometer...the group in the foreground represents a Mahratta family crossing a ferry ); Photo eChristies Images; English, out of copyright
Media ID 23670508
© Christie's Images / Bridgeman Images
072012upload 1820s 1829 British Art Mule Observatory Steps Unloading Working Life
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This print showcases "The Man Mundil or Hindoo Observatory, Benares 1829" by James Prinsep. The artwork, rendered in pencil and watercolour, measures 17.5x26.4 cm and is part of a private collection. The image transports us to the majestic city of Benares in India during the early 19th century. The focal point is the impressive Man Mandir building, which was transformed into an observatory by Jysing in 1680 AD. Standing tall above the structure is a large stone azimuth circle, emphasizing its scientific purpose. In the foreground, we see a Mahratta family crossing a ferry on their daily routine amidst this bustling riverside scene. This glimpse into ordinary life adds depth and authenticity to the composition. Notably, one can observe people going about their day outside this architectural marvel - men unloading goods from mules and others climbing steps leading up to the observatory's entrance. These details provide insight into working life during that era under British rule. James Prinsep's meticulous attention to detail brings this historical moment alive through his masterful use of pencil and watercolour techniques. Overall, this enchanting photograph print captures both the grandeur of architecture and everyday existence in colonial India during the early 19th century.
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