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William Blake Collection (#20)

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Background imageWilliam Blake Collection: The shrill winds wake... plate 5 from Europe. A Prophecy, 1794

The shrill winds wake... plate 5 from Europe. A Prophecy, 1794
XYC222342 The shrill winds wake... plate 5 from Europe. A Prophecy, 1794 (relief etching with oil & w/c) by Blake, William (1757-1827); 23.5x16.2 cm; Yale Center for British Art

Background imageWilliam Blake Collection: Plate 1 from Songs of Innocence and of Experience (Bentley 2) 1789-74

Plate 1 from Songs of Innocence and of Experience (Bentley 2) 1789-74
XYC220889 Plate 1 from Songs of Innocence and of Experience (Bentley 2) 1789-74 (relief etching with pen and w/c) by Blake, William (1757-1827); 9.1x13.3 cm; Yale Center for British Art

Background imageWilliam Blake Collection: The Voice of the Ancient Bard, plate 31 from Songs of Innocence

The Voice of the Ancient Bard, plate 31 from Songs of Innocence
XYC220888 The Voice of the Ancient Bard, plate 31 from Songs of Innocence, 1789 (relief etching with w/c) by Blake, William (1757-1827); 11.1x6.4 cm; Yale Center for British Art

Background imageWilliam Blake Collection: A Poison Tree, plate 50 (Bentley 49) from Songs of Innocence and of Experience

A Poison Tree, plate 50 (Bentley 49) from Songs of Innocence and of Experience
XYC220137 A Poison Tree, plate 50 (Bentley 49) from Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen & w/c) by Blake

Background imageWilliam Blake Collection: The Garden of Love, plate 45 (Bentley 44) from Songs of Innocence

The Garden of Love, plate 45 (Bentley 44) from Songs of Innocence
XYC220133 The Garden of Love, plate 45 (Bentley 44) from Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen & w/c) by Blake

Background imageWilliam Blake Collection: To Tirzah, plate 42 (Bentley 52) from Songs of innocence and of Experience

To Tirzah, plate 42 (Bentley 52) from Songs of innocence and of Experience
XYC220130 To Tirzah, plate 42 (Bentley 52) from Songs of innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with ink & w/c) by Blake

Background imageWilliam Blake Collection: The Chimney Sweeper, plate 41 (Bentley 37) from Songs of Innocence

The Chimney Sweeper, plate 41 (Bentley 37) from Songs of Innocence
XYC220129 The Chimney Sweeper, plate 41 (Bentley 37) from Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c) by Blake

Background imageWilliam Blake Collection: Infant Sorrow, plate 39 (Bentley 48) from Songs of Innocence and of Experience

Infant Sorrow, plate 39 (Bentley 48) from Songs of Innocence and of Experience
XYC220127 Infant Sorrow, plate 39 (Bentley 48) from Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c) by Blake

Background imageWilliam Blake Collection: The Shepherd, plate 15 from Songs of Innocence, 1789 (relief

The Shepherd, plate 15 from Songs of Innocence, 1789 (relief
XYC218334 The Shepherd, plate 15 from Songs of Innocence, 1789 (relief etching with w/c on paper) by Blake, William (1757-1827); 11.1x6.8 cm; Yale Center for British Art, Paul Mellon Collection

Background imageWilliam Blake Collection: The Lamb, plate 8 from Songs of Innocence, 1789 (relief etching

The Lamb, plate 8 from Songs of Innocence, 1789 (relief etching
XYC218327 The Lamb, plate 8 from Songs of Innocence, 1789 (relief etching with w/c on paper) by Blake, William (1757-1827); 12x7.6 cm; Yale Center for British Art, Paul Mellon Collection

Background imageWilliam Blake Collection: An Angel with a Trumpet, 1805-08 (pen & black ink and w / c on paper)

An Angel with a Trumpet, 1805-08 (pen & black ink and w / c on paper)
XYC215092 An Angel with a Trumpet, 1805-08 (pen & black ink and w/c on paper) by Blake, William (1757-1827); 19.8x11 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageWilliam Blake Collection: IV / The Eternal Gates... plate 8 from The Book of Thel, 1789

IV / The Eternal Gates... plate 8 from The Book of Thel, 1789
XYC215089 IV / The Eternal Gates... plate 8 from The Book of Thel, 1789 (hand-coloured relief etching with pen & w/c on paper) by Blake

Background imageWilliam Blake Collection: Spring, from Songs of Innocence, 1789 (coloure-printed relief etching with

Spring, from Songs of Innocence, 1789 (coloure-printed relief etching with
XYC215086 Spring, from Songs of Innocence, 1789 (coloure-printed relief etching with w/c on paper) by Blake, William (1757-1827); 4.8x7 cm; Yale Center for British Art, Paul Mellon Fund

Background imageWilliam Blake Collection: The Shepherd, from Songs of Innocence, 1789 (colour-printed relief etching

The Shepherd, from Songs of Innocence, 1789 (colour-printed relief etching
XYC215085 The Shepherd, from Songs of Innocence, 1789 (colour-printed relief etching with w/c on paper) by Blake, William (1757-1827); 7.6x7 cm; Yale Center for British Art, Paul Mellon Fund

Background imageWilliam Blake Collection: Awake! Awake Jerusalem... plate 97 from Jerusalem (Bentley Copy E) 1804-20

Awake! Awake Jerusalem... plate 97 from Jerusalem (Bentley Copy E) 1804-20
XYC214589 Awake! Awake Jerusalem... plate 97 from Jerusalem (Bentley Copy E) 1804-20 (relief etching printed in orange with pen, w/c and gold) by Blake

Background imageWilliam Blake Collection: Joseph and Potiphars Wife, 1803-05 (pen & ink and w / c on paper)

Joseph and Potiphars Wife, 1803-05 (pen & ink and w / c on paper)
XYC213852 Joseph and Potiphars Wife, 1803-05 (pen & ink and w/c on paper) by Blake, William (1757-1827); 35.6x32.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageWilliam Blake Collection: Sealing the Stone and Setting a Watch, 1800-03 (pen & ink and w / c over pencil on paper)

Sealing the Stone and Setting a Watch, 1800-03 (pen & ink and w / c over pencil on paper)
XYC213851 Sealing the Stone and Setting a Watch, 1800-03 (pen & ink and w/c over pencil on paper) by Blake, William (1757-1827); 40.6x33.3 cm; Yale Center for British Art

Background imageWilliam Blake Collection: Jehovah stood among the Druids... plate 63 from Jerusalem, 1804-20

Jehovah stood among the Druids... plate 63 from Jerusalem, 1804-20
XYC239824 Jehovah stood among the Druids... plate 63 from Jerusalem, 1804-20 (relief etching printed in orange with pen, w/c and gold) by Blake

Background imageWilliam Blake Collection: In Beauty the Daughters of Albion... plate 58 from Jerusalem

In Beauty the Daughters of Albion... plate 58 from Jerusalem
XYC239823 In Beauty the Daughters of Albion... plate 58 from Jerusalem, 1804-20 (relief etching printed in orange with pen and watercolour) by Blake

Background imageWilliam Blake Collection: But when the morn arose... plate 8 from Visions of the Daughters of Albion

But when the morn arose... plate 8 from Visions of the Daughters of Albion
XYC237818 But when the morn arose... plate 8 from Visions of the Daughters of Albion, 1793 (relief etching printed in green with w/c) by Blake

Background imageWilliam Blake Collection: Christ Appearing to the Apostles after the Resurrection, 1795-1805 (colour print with w / c)

Christ Appearing to the Apostles after the Resurrection, 1795-1805 (colour print with w / c)
XYC181762 Christ Appearing to the Apostles after the Resurrection, 1795-1805 (colour print with w/c and pen & ink on paper) by Blake, William (1757-1827); 43.2x57.1 cm; Yale Center for British Art

Background imageWilliam Blake Collection: The Great Red Dragon and the Beast from the Sea, c. 1805 (pen and ink with w / c over paper)

The Great Red Dragon and the Beast from the Sea, c. 1805 (pen and ink with w / c over paper)
XOS1765693 The Great Red Dragon and the Beast from the Sea, c.1805 (pen and ink with w/c over paper) by Blake, William (1757-1827); 40.1x35.6 cm; National Gallery of Art, Washington DC, USA; English

Background imageWilliam Blake Collection: A Shepherd Reading the Epitaph, from Elegy Written in a Churchyard, from The

A Shepherd Reading the Epitaph, from Elegy Written in a Churchyard, from The
XYC173624 A Shepherd Reading the Epitaph, from Elegy Written in a Churchyard, from The Poems of Thomas Gray, published 1797-98 (w/c and black ink on paper) by Blake

Background imageWilliam Blake Collection: The Progress of Poesy, from The Poems of Thomas Gray, published 1797-98

The Progress of Poesy, from The Poems of Thomas Gray, published 1797-98
XYC173621 The Progress of Poesy, from The Poems of Thomas Gray, published 1797-98 (w/c and black ink on paper) by Blake, William (1757-1827); 41.9x32.4 cm; Yale Center for British Art

Background imageWilliam Blake Collection: The Bard: A Pindaric Ode, from The Poems of Thomas Gray, published 1797-98

The Bard: A Pindaric Ode, from The Poems of Thomas Gray, published 1797-98
XYC173619 The Bard: A Pindaric Ode, from The Poems of Thomas Gray, published 1797-98 (w/c and black ink on paper) by Blake, William (1757-1827); 41.9x32.4 cm; Yale Center for British Art

Background imageWilliam Blake Collection: The Descent of Odin, An Ode, from The Poems of Thomas Gray, published 1797-98

The Descent of Odin, An Ode, from The Poems of Thomas Gray, published 1797-98
XYC173618 The Descent of Odin, An Ode, from The Poems of Thomas Gray, published 1797-98 (w/c and black ink on paper) by Blake, William (1757-1827); 41.9x32.4 cm; Yale Center for British Art

Background imageWilliam Blake Collection: Copy of the Laocoon, for Reess Cyclopedia, 1815 (graphite on laid paper)

Copy of the Laocoon, for Reess Cyclopedia, 1815 (graphite on laid paper)
XYC173218 Copy of the Laocoon, for Reess Cyclopedia, 1815 (graphite on laid paper) by Blake, William (1757-1827); 32.1x22.7 cm; Yale Center for British Art, Paul Mellon Fund, USA; English

Background imageWilliam Blake Collection: A Naked Man in Flames, plate 26 from Jerusalem, 1804-20 (etching printed

A Naked Man in Flames, plate 26 from Jerusalem, 1804-20 (etching printed
XYC173212 A Naked Man in Flames, plate 26 from Jerusalem, 1804-20 (etching printed in orange with pen and w/c on paper) by Blake, William (1757-1827); 16x22 cm; Yale Center for British Art

Background imageWilliam Blake Collection: Title Page for Jerusalem: The Emanation of the Giant Albion, 1804-20 (relief

Title Page for Jerusalem: The Emanation of the Giant Albion, 1804-20 (relief
XYC172889 Title Page for Jerusalem: The Emanation of the Giant Albion, 1804-20 (relief etching printed in orange with pen and w/c) by Blake

Background imageWilliam Blake Collection: Repelling Weeping Enion... plate 87 from Jerusalem, 1804-20

Repelling Weeping Enion... plate 87 from Jerusalem, 1804-20
XYC165991 Repelling Weeping Enion... plate 87 from Jerusalem, 1804-20 (relief etching with pen and w/c on paper) by Blake, William (1757-1827); 20.7x14.6 cm; Yale Center for British Art

Background imageWilliam Blake Collection: Virgin and Child, 1825 (tempera on panel)

Virgin and Child, 1825 (tempera on panel)
XYC162479 Virgin and Child, 1825 (tempera on panel) by Blake, William (1757-1827); 28.5x23.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageWilliam Blake Collection: The Horse, from William Hayleys Ballads, c. 1805-06 (tempera with pen

The Horse, from William Hayleys Ballads, c. 1805-06 (tempera with pen
XYC153367 The Horse, from William Hayleys Ballads, c.1805-06 (tempera with pen and black ink on a copper engraving plate) by Blake, William (1757-1827); 10.6x6.4 cm cm; Yale Center for British Art

Background imageWilliam Blake Collection: And this the Form of Mighty Hand... plate 70 from Jerusalem

And this the Form of Mighty Hand... plate 70 from Jerusalem
XYC151896 And this the Form of Mighty Hand... plate 70 from Jerusalem (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper) by Blake

Background imageWilliam Blake Collection: What do I See!... plate 92 from Jerusalem (Bentley Copy E) 1804-20

What do I See!... plate 92 from Jerusalem (Bentley Copy E) 1804-20
XYC151894 What do I See!... plate 92 from Jerusalem (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper) by Blake, William (1757-1827); 20.3x14.3 cm; Yale Center for British Art

Background imageWilliam Blake Collection: Spring, plate 11 recto, from Songs of Innocence, 1789 (hand-coloured relief

Spring, plate 11 recto, from Songs of Innocence, 1789 (hand-coloured relief
XYC151892 Spring, plate 11 recto, from Songs of Innocence, 1789 (hand-coloured relief etching with watercolour on paper) by Blake, William (1757-1827); 10.8x7.6 cm; Yale Center for British Art

Background imageWilliam Blake Collection: The Chimney Sweeper, plate 9 recto from Songs of Innocence, 1789 (hand-coloured

The Chimney Sweeper, plate 9 recto from Songs of Innocence, 1789 (hand-coloured
XYC151888 The Chimney Sweeper, plate 9 recto from Songs of Innocence, 1789 (hand-coloured relief etching with w/c on paper) by Blake, William (1757-1827); 11.4x7.3 cm; Yale Center for British Art

Background imageWilliam Blake Collection: But he that Loves the Lowly... plate 7 from The Book of Thel

But he that Loves the Lowly... plate 7 from The Book of Thel
XYC151885 But he that Loves the Lowly... plate 7 from The Book of Thel, 1789 (hand-coloured relief etching with pen and w/c on paper) by Blake

Background imageWilliam Blake Collection: Ode on a Distant Prospect of Eton College, from The Poems of Thomas Gray

Ode on a Distant Prospect of Eton College, from The Poems of Thomas Gray
XYC151693 Ode on a Distant Prospect of Eton College, from The Poems of Thomas Gray, published in 1797-98 (w/c and black ink on paper) by Blake

Background imageWilliam Blake Collection: Ode on a Distant Prospect of Eton College, from The Poems of Thomas Gray

Ode on a Distant Prospect of Eton College, from The Poems of Thomas Gray
XYC151692 Ode on a Distant Prospect of Eton College, from The Poems of Thomas Gray, published in 1797-98 (w/c and black ink on paper) by Blake

Background imageWilliam Blake Collection: Frontispiece from Europe. A Prophecy, 1794 (relief etching printed in dark

Frontispiece from Europe. A Prophecy, 1794 (relief etching printed in dark
XYC151689 Frontispiece from Europe. A Prophecy, 1794 (relief etching printed in dark brown ink with watercolour on paper) by Blake, William (1757-1827); 23.5x16.5 cm; Yale Center for British Art

Background imageWilliam Blake Collection: Title Page from Europe. A Prophecy, 1794 (relief etching printed in dark

Title Page from Europe. A Prophecy, 1794 (relief etching printed in dark
XYC151688 Title Page from Europe. A Prophecy, 1794 (relief etching printed in dark brown with w/c on paper) by Blake, William (1757-1827); 23.8x17.1 cm; Yale Center for British Art

Background imageWilliam Blake Collection: The Fly, plate 47 from Songs of Experience, 1794 (colour printed

The Fly, plate 47 from Songs of Experience, 1794 (colour printed
XYC225897 The Fly, plate 47 from Songs of Experience, 1794 (colour printed relief etching with watercolour) by Blake, William (1757-1827); 11.1x7.3 cm; Yale Center for British Art, New Haven

Background imageWilliam Blake Collection: My Pretty Rose Tree, and Ah! Sun-flower, and The Lily

My Pretty Rose Tree, and Ah! Sun-flower, and The Lily
XYC225896 My Pretty Rose Tree, and Ah! Sun-flower, and The Lily, from Songs of Experience, 1794 (relief etching with hand colouring and watercolour) by Blake

Background imageWilliam Blake Collection: Frontispiece from Songs of Innocence and of Experience (Bentley Copy L) pl

Frontispiece from Songs of Innocence and of Experience (Bentley Copy L) pl
XYC225767 Frontispiece from Songs of Innocence and of Experience (Bentley Copy L) pl.29 (Bentley 28) 1789-94 (relief etching with pen & w/c on paper) by Blake

Background imageWilliam Blake Collection: Ode to Adversity, design 37 from The Poems of Thomas Gray, 1797-98 (w / c with pen

Ode to Adversity, design 37 from The Poems of Thomas Gray, 1797-98 (w / c with pen
XYC225763 Ode to Adversity, design 37 from The Poems of Thomas Gray, 1797-98 (w/c with pen and black ink on paper) by Blake, William (1757-1827); 41.9x32.4 cm; Yale Center for British Art

Background imageWilliam Blake Collection: The Bard, design 52 from The Poems of Thomas Gray, 1797-98 (w / c

The Bard, design 52 from The Poems of Thomas Gray, 1797-98 (w / c
XYC225040 The Bard, design 52 from The Poems of Thomas Gray, 1797-98 (w/c with pen & black ink on paper) by Blake, William (1757-1827); 41.9x32.4 cm; Yale Center for British Art

Background imageWilliam Blake Collection: The Progress of Poesy, design 44 from The Poems of Thomas Gray

The Progress of Poesy, design 44 from The Poems of Thomas Gray
XYC225035 The Progress of Poesy, design 44 from The Poems of Thomas Gray, 1797-98 (w/c with pen & black ink on paper) by Blake, William (1757-1827); 41.9x32.4 cm; Yale Center for British Art

Background imageWilliam Blake Collection: Combined Title Page from Songs of Innocence and of Experience, plate 2 of Bentley Copy L

Combined Title Page from Songs of Innocence and of Experience, plate 2 of Bentley Copy L
XYC145598 Combined Title Page from Songs of Innocence and of Experience, plate 2 of Bentley Copy L, c.1789-94 (relief etching, pen and w/c on paper) by Blake



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