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The Lazy Fool, 1660-86 (brush and Indian ink on paper)
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The Lazy Fool, 1660-86 (brush and Indian ink on paper)
7308470 The Lazy Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Wilhelm Stettler (1643-1708)
Caspar Merian (1627-1686)
brush and Indian ink on laid paper
h x w: sheet 11.5 x 10.5 cm); © Ashmolean Museum
Media ID 28381096
© Ashmolean Museum / Bridgeman Images
7 Deadly Sins Asleep Bear Bears Belittling Black Bear Court Jester Derides Derision Doze Falling Asleep Foolery Idleness Jester Joker Laziness Lazing Lazy Make Fun Of Mockery Napping Scoff Seven Deadly Sins Slothful Sloths Vice Virtue Virtues Virtuous 17 17th 17th 17th Xvii 18th Century Circa 1600 Early 17th Century Early Xvii Century Only One Person Seventeeth Century Swissman
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The Lazy Fool
EDITORS COMMENTS
is a captivating artwork that captures the essence of idleness and folly in the 17th century. Created by Wilhelm Stettler, a Swiss artist, this brush and Indian ink drawing on paper showcases his exceptional talent for capturing intricate details. In this piece, we see a court jester, known for his jests and mockery, depicted as a lazy man lounging under the shade of a tree. The jester's laziness is emphasized by the presence of a black bear sleeping beside him, symbolizing slothfulness. This portrayal aligns with the concept of the seven deadly sins prevalent during that era. Stettler's skillful use of brushwork brings out every nuance in this composition. The fine lines and delicate shading add depth to both the figure and surrounding landscape. The monochromatic black-and-white palette enhances the overall mood of derision and belittlement. This artwork not only serves as an aesthetic masterpiece but also offers insight into societal values at that time. It reminds us to reflect upon our own virtues and vices while appreciating Stettler's artistic prowess. Displayed at Ashmolean Museum in Oxford, UK, "The Lazy Fool" continues to captivate viewers with its timeless message about human nature and serves as an enduring testament to Stettler's contribution to art history.
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