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The God-Burdening Fool, 1660-86 (brush and Indian ink on paper)
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The God-Burdening Fool, 1660-86 (brush and Indian ink on paper)
7308505 The God-Burdening Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Wilhelm Stettler (1643-1708)
Caspar Merian (1627-1686)
brush and Indian ink on laid paper
h x w: sheet 11.5 x 10.5 cm); © Ashmolean Museum
Media ID 28384098
© Ashmolean Museum / Bridgeman Images
Belittling Blasphemy Court Jester Crucifix Derides Derision Foolery Jester Joker Make Fun Of Mockery Scoff Spears Vice Virtue Virtues Virtuous 17 17th 17th 17th Xvii 18th Century Circa 1600 Early 17th Century Early Xvii Century Seventeeth Century Swissman
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The God-Burdening Fool
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is a captivating and thought-provoking artwork created by Wilhelm Stettler in the late 17th century. This small but powerful print, measuring only 11.5x10.5 cm, showcases Stettler's mastery of brush and Indian ink on paper. The image depicts a court jester or fool, known for their jests and mockery, holding a crucifix with one hand while brandishing a spear with the other. The juxtaposition of these two symbols creates an intriguing contrast between virtue and vice. Stettler's intricate detailing brings this scene to life, capturing the essence of derision and belittling through his skillful use of black and white contrasts. The fool's mischievous expression adds depth to the composition, inviting viewers to ponder upon the deeper meaning behind his actions. This artwork not only reflects Stettler's artistic prowess but also serves as social commentary on religious hypocrisy during that era. It challenges traditional notions of piety by questioning whether those who claim devotion truly embody virtuous qualities or merely engage in empty acts of faith. "The God-Burdening Fool" remains an important piece within art history due to its exploration of themes such as blasphemy, mockery, and the complexities surrounding human nature. Housed at Ashmolean Museum in Oxford University, this work continues to captivate audiences with its timeless relevance and profound symbolism.
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