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The Fool Studying Useless Arts, 1660-86 (brush and Indian ink on paper)
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The Fool Studying Useless Arts, 1660-86 (brush and Indian ink on paper)
7308544 The Fool Studying Useless Arts, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Wilhelm Stettler (1643-1708)
Caspar Merian (1627-1686)
brush and Indian ink on laid paper
h x w: sheet 11.5 x 10.5 cm); © Ashmolean Museum
Media ID 28385184
© Ashmolean Museum / Bridgeman Images
Belittling Court Jester Derides Derision Foolery Jester Joker Make Fun Of Mockery Scoff Vice Virtue Virtues Virtuous 17 17th 17th 17th Xvii 18th Century Circa 1600 Early 17th Century Early Xvii Century Seventeeth Century Swissman
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The Fool Studying Useless Arts
EDITORS COMMENTS
is a captivating print that captures the essence of folly and mockery in 17th-century Europe. Created by Wilhelm Stettler, a Swiss artist known for his intricate brushwork, this piece showcases the talent and wit of its creator. In this black and white illustration, we see a court jester engrossed in studying what appears to be useless arts. The joker's exaggerated gestures and comical expression highlight the derision and belittling nature of his actions. Stettler's attention to detail is evident in every stroke of Indian ink on laid paper, bringing life to the fool's character. The juxtaposition between virtue and vice is also apparent as the fool indulges in frivolous pursuits while surrounded by symbols representing virtuous qualities. This contrast adds depth to the artwork, inviting viewers to reflect on their own choices and priorities. Displayed at the Ashmolean Museum at the University of Oxford, this work exemplifies Stettler's mastery as an artist during early 17th century Europe. Its small size allows for an intimate viewing experience that draws you into the world of jesters and their role in society. "The Fool Studying Useless Arts" serves as a reminder that even within art itself, there can be layers of meaning waiting to be discovered. It invites us to question our own follies while appreciating Stettler's skillful execution in capturing both humor and critique through his brushstrokes.
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