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Maximilian I, King of Germany and ruler of the Netherlands, taken prisoner by the citizens of Bruges, 1488 (engraving)
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Maximilian I, King of Germany and ruler of the Netherlands, taken prisoner by the citizens of Bruges, 1488 (engraving)
7147943 Maximilian I, King of Germany and ruler of the Netherlands, taken prisoner by the citizens of Bruges, 1488 (engraving) by Zick, Alexander (1845-1907); Private Collection; (add.info.: Maximilian I, King of Germany and ruler of the Netherlands, taken prisoner by the citizens of Bruges, 1488. Illustration for Bildersaal Deutscher Geschichte (Union Deutsche Verlagsgesellschaft, 1890).); © Look and Learn
Media ID 25155136
© Look and Learn / Bridgeman Images
Bruges Czar Czarist Emperors Flanders Insurrection King Of Madieval Maharajah Marharaja Monarchic Protest Rebel Rebellion Revolt Royalism Tsarina Uprising Avec Personnage Belgians Belgium Belgian Benelux Countries Dutch Netherlands Early Xv Century Empress Late Middle Age Late Xv Century Medieval Period Middles Ages Netherland Netherlands Holland Dutch Poeple The Netherland
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EDITORS COMMENTS
This engraving depicts a significant moment in history: Maximilian I, the King of Germany and ruler of the Netherlands, being taken prisoner by the citizens of Bruges in 1488. The artist, Alexander Zick, skillfully captures the tension and drama of this event. Intriguingly rendered in black and white, this illustration transports us back to the 15th century when monarchies held immense power. Maximilian I's capture symbolizes a revolt against his rule, highlighting the struggle between authority and rebellion during that time. The citizens of Bruges are portrayed as determined individuals who have successfully apprehended their king. Their actions reflect a desire for greater autonomy and independence from royal control. This image serves as a reminder that even those in positions of power can be challenged by their own subjects. Zick's attention to detail brings this historical scene to life. From Maximilian I's regal attire to the expressions on both his face and those of his captors, every element contributes to our understanding of this pivotal moment in European history. This engraving was originally created for Bildersaal Deutscher Geschichte (Union Deutsche Verlagsgesellschaft) in 1890. Its inclusion here allows us to appreciate not only Zick's artistic talent but also its significance within German historical literature. Overall, this print provides us with an intriguing glimpse into a tumultuous period where kings could be captured by their own people—a testament to the complex dynamics between rulers and their subjects throughout history.
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