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Adam and Eve expelled from the Garden of Eden after being tempted by the serpent to eat the apple
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Adam and Eve expelled from the Garden of Eden after being tempted by the serpent to eat the apple
XIR488614 Adam and Eve expelled from the Garden of Eden after being tempted by the serpent to eat the apple, c.1460 (oil on panel) (detail of 488611) by Stockt, Vrancke van der (c.1420-c.95); Prado, Madrid, Spain; (add.info.: Triptyque de la Redemption, volet droit, Adam et Eve chassA©s du Paradis; Vranke van der Stockt was a pupil of Rogier van der Weyden, who was formerly considered the painter of this triptych; in the 16th century this picture belonged to Leonor Mascarenas, governess of King Philip II; she gave it to the Convent of Nuestra SeAnora de los Angeles, which she founded; ); Netherlandish, out of copyright
Media ID 12914657
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Adam Banished Banishment Creation Devil Discord Eden Evil Exile Expulsion Fig Leaf Garden Of Eden Genesis Paradise Shame Triptych Punishment Serpent
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EDITORS COMMENTS
This print captures the pivotal moment in biblical history when Adam and Eve were expelled from the Garden of Eden. Painted by Vrancke van der Stockt in the 15th century, this detail from his larger triptych titled "Triptyque de la Redemption" showcases his mastery of oil on panel technique. The scene depicts a sorrowful Adam and Eve being banished from paradise after succumbing to temptation by the serpent. The couple's expressions are filled with remorse as they realize the consequences of their actions. The lush greenery surrounding them serves as a stark contrast to their impending exile, symbolizing both the beauty they are leaving behind and their loss of innocence. Van der Stockt's attention to detail is evident in every brushstroke, capturing not only the physical attributes but also conveying complex emotions such as shame and discord between Adam and Eve. Their attempts at modesty with fig leaves further emphasize their newfound awareness of sin. This artwork holds historical significance beyond its religious context, having once belonged to Leonor Mascarenas, governess of King Philip II. It now resides in Prado Museum in Madrid, Spain. As we gaze upon this image, we are reminded of humanity's fallibility and our eternal quest for redemption. Van der Stockt's portrayal invites us to reflect on our own choices while marveling at his artistic skill that has stood the test of time.
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