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George R. Lawrence's (1869-1938) Mammoth Camera, c. 1900 (sepia photo)

George R. Lawrence's (1869-1938) Mammoth Camera, c. 1900 (sepia photo)


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George R. Lawrence's (1869-1938) Mammoth Camera, c. 1900 (sepia photo)

XBP341868 George R. Lawrence's (1869-1938) Mammoth Camera, c.1900 (sepia photo) by American Photographer, (20th century); Private Collection; (add.info.: George R. Lawrence standing on right next to lens timing exposure; curtain operator stands at rear; glass plate negative 4 1/2 feet by 8 feet; when loaded the camera weighed 1400 pounds and required a 15 men team to operate it; Lawrence pioneered early aerial photography using balloons;); Photo © Boltin Picture Library

Media ID 32012354

© Boltin Picture Library / Bridgeman Images


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EDITORS COMMENTS
This sepia print showcases George R. Lawrence's remarkable creation, the Mammoth Camera, dating back to around 1900. The image transports us to a bygone era when photography was still in its infancy and innovation knew no bounds. In this snapshot, we see Lawrence himself standing proudly on the right side of the mammoth camera, while a curtain operator stands at the rear. The sheer size of this camera is awe-inspiring; with a glass plate negative measuring an astonishing 4 1/2 feet by 8 feet, it required a team of fifteen men weighing in at a staggering 1400 pounds just to operate it. George R. Lawrence was not only an exceptional photographer but also a pioneer in aerial photography using balloons. His groundbreaking work paved the way for capturing images from above and opened up new possibilities for documenting landscapes and events like never before. The sepia tones add depth and nostalgia to this photograph, transporting us back in time to witness firsthand the ingenuity and dedication that went into creating such monumental photographic equipment. This rare glimpse into history reminds us of how far photography has come since those early days, yet also serves as a testament to the enduring power of human creativity and our relentless pursuit of pushing boundaries in art and technology.

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