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An angel holding a shield with chalice and wafer M, the five wounds of Christ N, and various heraldic shields. Paintings on the south wall of the Chancel

An angel holding a shield with chalice and wafer M, the five wounds of Christ N, and various heraldic shields. Paintings on the south wall of the Chancel


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An angel holding a shield with chalice and wafer M, the five wounds of Christ N, and various heraldic shields. Paintings on the south wall of the Chancel

FLO4685735 An angel holding a shield with chalice and wafer M, the five wounds of Christ N, and various heraldic shields. Paintings on the south wall of the Chancel. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808.; (add.info.: An angel holding a shield with chalice and wafer M, the five wounds of Christ N, and various heraldic shields. Paintings on the south wall of the Chancel. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808.); © Florilegius

Media ID 38472908

© © Florilegius / Bridgeman Images

Ange Chalice Chancel Eau Forte Etching Stigma Stigmata Stratford Upon Avon Thomas Fisher Trinite


EDITORS COMMENTS
This stunning handcoloured etching by Thomas Fisher captures the intricate details of an angel holding a shield adorned with a chalice and wafer, symbolizing the Eucharist. The depiction of the five wounds of Christ adds a powerful religious significance to the composition, highlighting the sacrifice and redemption central to Christian belief. The inclusion of various heraldic shields in the painting on the south wall of the Chancel further enhances its symbolic richness, connecting it to themes of nobility and lineage. Each element in this artwork carries layers of meaning, inviting viewers to contemplate deeper spiritual truths and historical connections. Fisher's meticulous attention to detail is evident in every stroke of his etching, bringing life and vibrancy to each figure depicted. The angel exudes grace and majesty as it holds aloft its shield, embodying divine protection and guidance. As we gaze upon this masterpiece from 1808, we are transported back in time to Stratford upon Avon, where these paintings adorned the walls of the Chapel of Trinity. Through Fisher's skillful rendering, we are reminded of the enduring power of art to inspire faith and contemplation across generations.

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