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Women from the edges of Zambeze waving huts and in the foreground, childrens play
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Women from the edges of Zambeze waving huts and in the foreground, childrens play
LSE4325717 Women from the edges of Zambeze waving huts and in the foreground, childrens play. Engravure to illustrate Dr. Livingstones first voyages to Southern Africa from 1840 to 1856, in " Le tour du monde, nouveau journal des voyages" published under the direction of Edouard Charton, 1866, Paris. Selva Collection. by Unknown Artist, (19th century); Private Collection; (add.info.: Women from the edges of Zambeze waving huts and in the foreground, childrens play. Engravure to illustrate Dr. Livingstones first voyages to Southern Africa from 1840 to 1856, in " Le tour du monde, nouveau journal des voyages" published under the direction of Edouard Charton, 1866, Paris. Selva Collection.); Photo eLeonard de Selva; out of copyright
Media ID 23730018
© Leonard de Selva / Bridgeman Images
Construction Site Naked Woman Roof Woman At Work
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This print titled "Women from the edges of Zambeze waving huts and in the foreground, children's play" captures a beautiful scene from Dr. Livingstone's first voyages to Southern Africa between 1840 and 1856. The engraving, featured in "Le tour du monde, nouveau journal des voyages" published under Edouard Charton's direction in 1866 Paris, showcases the rich culture and daily life of African women and children. In this image, we see women from the Zambeze region proudly waving at their traditional huts while children engage in playful activities in the foreground. The artist skillfully portrays the essence of childhood joy amidst an African habitat. The intricate details of this engraving highlight both the construction site where these huts are being built as well as a group of young girls immersed in a game. The composition evokes a sense of unity within the community as women work diligently on their homes while simultaneously nurturing their children's happiness through play. This artwork serves as a testament to resilience, cultural heritage, and intergenerational bonds. Leonard de Selva beautifully captures this moment through his lens, offering viewers an opportunity to appreciate the beauty found within everyday life on the outskirts of Zambeze. As we gaze upon this historical photograph print today, it reminds us that despite our differences across time and space, there is always common ground when it comes to love for family and community.
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