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The skeleton of Death rocks the cradle of a baby while the nanny sleeps and the distraught mother arrives home. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816
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The skeleton of Death rocks the cradle of a baby while the nanny sleeps and the distraught mother arrives home. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816
FLO4690277 The skeleton of Death rocks the cradle of a baby while the nanny sleeps and the distraught mother arrives home. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816. by Rowlandson, Thomas (1756-1827); (add.info.: The skeleton of Death rocks the cradle of a baby while the nanny sleeps and the distraught mother arrives home. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.); © Florilegius
Media ID 23736032
© Florilegius / Bridgeman Images
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EDITORS COMMENTS
In this and thought-provoking image, we are transported back to 19th century England, where artist Thomas Rowlandson skillfully captures the essence of life's fragility and the inevitability of death. The scene unfolds with a macabre twist as Death himself, embodied by a skeletal figure, rocks the cradle of an innocent baby. The nanny slumbers blissfully unaware in her own peaceful dreams while the distraught mother returns home to witness this haunting spectacle. Rowlandson's handcoloured copperplate engraving from "The English Dance of Death" is both allegorical and satirical, reflecting upon the transient nature of existence and reminding us that death spares no one - not even infants. This darkly humorous caricature serves as a poignant reminder that life can be fleeting and unpredictable. With meticulous detail and expert craftsmanship, Rowlandson masterfully depicts the juxtaposition between innocence (represented by the sleeping baby) and mortality (personified by Death). The use of vibrant colors adds depth to this morbid dance between life and death. As we gaze upon this intriguing print, we are compelled to contemplate our own mortality while marveling at Rowlandson's ability to capture such complex emotions through his art. It serves as a timeless reminder that life is precious but fragile – a delicate balance between joyous moments and inevitable endings.
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