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Landing of the British Troops in Egypt, March 1801, from

Landing of the British Troops in Egypt, March 1801, from


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Landing of the British Troops in Egypt, March 1801, from

STC174271 Landing of the British Troops in Egypt, March 1801, from The Martial Achievements of Great Britain and her Allies from 1799 to 1815, by James Jenkins, engraved by Thomas Sutherland (b.c.1785), published 1815 (aquatint) by Heath, William (1795-1840) (after); Private Collection; (add.info.: British army of 16, 000 men took Egypt from the French; ); The Stapleton Collection; English, out of copyright

Media ID 23354144

© The Stapleton Collection / Bridgeman Images

Advance Dinghies Egyptian Campaign Explosion Shell Injuries Wound Wounded


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> Arts > Artists > R > Thomas Rowlandson

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> Fine Art Finder > Napoleon & Napoleonic Wars


EDITORS COMMENTS
The captivating print titled "Landing of the British Troops in Egypt, March 1801" takes us back to a significant moment in history. This artwork, found in The Martial Achievements of Great Britain and her Allies from 1799 to 1815 by James Jenkins, captures the bravery and determination of the British army during the Egyptian campaign. In this scene, we witness a dramatic battle unfolding on African soil. With their navy ships anchored offshore, British troops are seen disembarking onto dinghies and tugboats as they make their way towards land. The air is thick with tension as explosions rock the shoreline, signifying fierce resistance from the enemy. Amidst this chaos, wounded soldiers can be seen being tended to by medical personnel. Their injuries serve as a reminder of the sacrifices made in pursuit of victory. As shells continue to rain down upon them, these brave men press forward undeterred. This print not only showcases military might but also highlights the importance placed on healthcare during times of conflict. It serves as a testament to both physical courage and compassionate care for those injured on the battlefield. As we gaze upon this historical masterpiece captured through aquatint engraving by Thomas Sutherland and published by William Heath in 1815, we are transported back two centuries ago when nations clashed for dominance over distant lands.

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