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English gentleman carried in a sedan chair for an election, 1817 (engraving)
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English gentleman carried in a sedan chair for an election, 1817 (engraving)
5912767 English gentleman carried in a sedan chair for an election, 1817 (engraving) by Rowlandson, Thomas (1756-1827); (add.info.: English gentleman carried in a sedan chair through the rotten borough of Grapple Town during an election for parliament. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from William Combes The Dance of Life, Rudolph Ackermann, London, 1817.); © Florilegius
Media ID 23711924
© Florilegius / Bridgeman Images
Corruption Drum Election English Gentleman Fair Festival Horn Member Of Parliament Minister Regency Era Rudolph Ackermann Sedan Chair The Dance Of Life Thomas Rowlandson William Combe Copperplate Engraving Handcoloured
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EDITORS COMMENTS
This engraving by Thomas Rowlandson takes us back to the Regency era in England, specifically to the scandalous world of parliamentary elections. The image depicts an English gentleman being carried in a sedan chair through the notorious rotten borough of Grapple Town during an election campaign. The seductive allure of corruption and power is palpable as flags flutter and festival vibes fill the air. This fair-like atmosphere masks the underlying deceit and manipulation that often characterized these electoral processes. As we delve into this scene, we witness a ministerial member of parliament being transported effortlessly through the town, shielded from any direct contact with its inhabitants. The absurdity of this spectacle is heightened by Rowlandson's caricature style, capturing both humor and criticism. Hand-colored details bring vibrancy to every element: from the gentleman's attire to the drumbeat and horn announcing his arrival. It is a snapshot frozen in time, encapsulating not only political intrigue but also social dynamics prevalent during this period. William Combe's book "The Dance of Life" serves as inspiration for this illustration, published by Rudolph Ackermann in 1817. Through Rowlandson's masterful artistry, we are transported back two centuries ago to witness a moment that reflects both historical reality and satirical commentary on British politics at that time.
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