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The British Residency at Hyderabad in 1813, from Volume II of Scenery
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The British Residency at Hyderabad in 1813, from Volume II of Scenery
STC86061 The British Residency at Hyderabad in 1813, from Volume II of Scenery, Costumes and Architecture of India, etched by John Willis (fl.1826-52) and engraved by R.G. Reeve (fl.1811-37) pub. by Smith, Elder and Company, 1830 (aquatint) by Grindlay, Robert Melville (1786-1877) (after); Private Collection; The Stapleton Collection; English, out of copyright
Media ID 22684530
© The Stapleton Collection / Bridgeman Images
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EDITORS COMMENTS
This print showcases "The British Residency at Hyderabad in 1813" and offers a glimpse into the rich history of colonial India. The image, taken from Volume II of Scenery, Costumes and Architecture of India, captures the grandeur and architectural brilliance of the British Residency. In this scene, we see an imposing palace adorned with intricate details that reflect both Indian and European influences. The majestic gates stand tall, welcoming visitors to witness the splendor within. A bustling crowd surrounds the residency, depicting a vibrant atmosphere filled with people from all walks of life. Amidst this lively setting, an elephant gracefully makes its way through the thronged streets. This gentle giant symbolizes power and majesty while reminding us of India's deep-rooted cultural heritage. The photograph is a testament to Robert Melville Grindlay's artistic prowess as he skillfully captures every detail with his aquatint technique. John Willis' etching combined with R. G Reeve's engraving brings out the finest nuances in this historical masterpiece. Preserved in a private collection belonging to The Stapleton Collection, this print serves as a window into an era when imperial powers left their mark on foreign lands. It invites viewers to appreciate not only the architectural marvels but also ponder upon complex narratives surrounding colonialism. Bridgeman Images has once again provided us access to extraordinary art that sparks curiosity about our shared pasts without mentioning any commercial use or affiliations
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