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Iskandar (Alexander) and the talking tree, Folio from a Shahnama (Book of kings) by Firdawsi (died 1020); recto (opaque w/c, ink and gold on paper)
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Iskandar (Alexander) and the talking tree, Folio from a Shahnama (Book of kings) by Firdawsi (died 1020); recto (opaque w/c, ink and gold on paper)
7487875 Iskandar (Alexander) and the talking tree, Folio from a Shahnama (Book of kings) by Firdawsi (died 1020); recto (opaque w/c, ink and gold on paper) by Persian School, (14th century); 40.8 x 30.1 cm; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: Folio from a Shahnama (Book of kings) by Firdawsi (died 1020); recto: Iskandar (Alexander) and the talking tree; verso: text); Freer Gallery of Art, Smithsonian Institution
Media ID 33085154
© Freer Gallery of Art, Smithsonian Institution / Bridgeman Images
1300s 14 14th Xiv Xivth Fourteenth Century Alexander Freer Gallery Of Art Illumnation Iran Iranian Iranians Late 14th Century Mongol Period 1220 1380 Naskh Script Outdoor Setting Persia Persian Persians Recto Shahnama Water Color Water Colour Watercolors Watercolour Paint Words Xiv Secolo 14 14o Xiv Xivo Secolo 14 14th Xiv Xivth Century 14 Century C14th Fourteenth Century Poems Several People Several Persons The 14th Century Xiv Century Xivth Century
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EDITORS COMMENTS
This print showcases a mesmerizing scene from the ancient Shahnama (Book of Kings) by Firdawsi. Created in the 14th century by Persian School artists, this artwork titled "Iskandar (Alexander) and the talking tree" transports us to a world of mythical wonder. In this intricate illustration, we witness Iskandar, also known as Alexander the Great, engaging in conversation with a mystical tree. The rich colors and delicate details bring life to this enchanting encounter. The use of opaque watercolor, ink, and gold on paper adds depth and brilliance to every stroke. The image is part of a larger folio that includes text on its verso side. This integration of art and literature reflects the importance placed on storytelling during that era. It reminds us that visual arts were not only meant for aesthetic pleasure but also served as powerful tools for conveying narratives. As we delve into this piece further, we are transported to an outdoor setting where Iskandar confidently sits atop his majestic horse while engaging in dialogue with the sentient tree. This evokes themes of adventure, exploration, and communication between humans and nature. Through this exquisite work of art from Persia's Middle Eastern heritage emerges poetry that captivates our imagination. Its watercolor technique beautifully captures both the vibrant hues found in nature and the emotions conveyed through each brushstroke. This print serves as a testament to how art can transcend time and space; it allows us to appreciate centuries-old masterpieces while connecting with their timeless beauty.
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