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Naval Combat, illustration from Americae Tertia Pars

Naval Combat, illustration from Americae Tertia Pars


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Naval Combat, illustration from Americae Tertia Pars

XIR170976 Naval Combat, illustration from Americae Tertia Pars... 1592 (coloured engraving) by Bry, Theodore de (1528-98); Service Historique de la Marine, Vincennes, France; (add.info.: 3rd Part of Grands Voyage ; report of a journey to Brazil; story of Hans Staden captivity by Tupinamba Indians; ); Flemish, out of copyright

Media ID 12739367

© www.bridgemanimages.com

Battleship Battleships Cannon Cannons City Walls Dinghies Dinghy Engagement Firing Landing Lighters Rowing Boats Warship Warships


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EDITORS COMMENTS
This print from Americae Tertia Pars takes us back to a historic naval combat scene. Created in 1592 by Theodore de Bry, a Flemish artist, this coloured engraving depicts an intense battle at sea. The illustration showcases the chaos and intensity of warfare on the water. In this vivid image, we witness a fierce engagement between battleships and warships along the coast. The ships are locked in combat, exchanging cannon fire as they navigate through rowing boats and lighters. The city walls loom in the background, adding to the dramatic atmosphere of the scene. The attention to detail is remarkable; every element has been meticulously crafted by de Bry's skilled hand. From the intricate design of each ship to the sprawling landscape with its castle fortress, viewers can immerse themselves in this historical moment. This print is not just a visual spectacle but also serves as a reminder of significant events during that era. It tells part of Hans Staden's story - his captivity by Tupinamba Indians during his journey to Brazil - making it even more intriguing for history enthusiasts. Preserved by Service Historique de la Marine in Vincennes, France, this artwork continues to captivate audiences centuries later. Its timeless appeal lies not only in its artistic merit but also in its ability to transport us back into an era filled with bravery and conflict on land and sea.

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