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James Gordon, a notorious Cambridge drunk, leaving a baby as a prank in front of the house of a college dean. Jemmy Gordons Frolic, or Cambridge Gambols at Peter House
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James Gordon, a notorious Cambridge drunk, leaving a baby as a prank in front of the house of a college dean. Jemmy Gordons Frolic, or Cambridge Gambols at Peter House
FLO4619080 James Gordon, a notorious Cambridge drunk, leaving a baby as a prank in front of the house of a college dean. Jemmy Gordons Frolic, or Cambridge Gambols at Peter House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. by Rowlandson, Thomas (1756-1827); (add.info.: James Gordon, a notorious Cambridge drunk, leaving a baby as a prank in front of the house of a college dean. Jemmy Gordons Frolic, or Cambridge Gambols at Peter House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.); © Florilegius
Media ID 22282650
© Florilegius / Bridgeman Images
Allemagne Angleterre Basketball Bebe Bernard Blackmantle Cambridge University Charles Molloy Westmacott College Dean Drunk Foosball Grande Bretagne Prank The English Spy Thomas Rowlandson Toddler Toddlers Copperplate Engraving Florilegius Gravure Handcoloured New Baby New Born New Born Babes New Born Infant Newborn Newly Born
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EDITORS COMMENTS
The captivating print titled "James Gordon, a notorious Cambridge drunk, leaving a baby as a prank in front of the house of a college dean" captures an intriguing moment from history. The image is part of the collection called "Jemmy Gordons Frolic, or Cambridge Gambols at Peter House" created by Thomas Rowlandson and written by Bernard Blackmantle (Charles Molloy Westmacott). In this handcoloured copperplate engraving from 1825, we witness James Gordon's mischievous act as he leaves a baby in front of the college dean's house. This satirical illustration provides insight into the humorous and sometimes outrageous pranks that took place within Cambridge University during that era. Rowlandson's artistic talent shines through in his detailed caricature style, bringing each character to life with exaggerated features and expressions. The playful nature of the scene is evident as onlookers react to Gordon's audacious stunt. This artwork not only serves as entertainment but also offers a glimpse into British culture and university life during the early 19th century. It showcases how humor was used to navigate social dynamics within academic institutions like Cambridge. Overall, this print invites viewers to delve into history while appreciating Rowlandson's skillful artistry and Blackmantle's witty storytelling.
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