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Agonie dans le jardin des oliviers (esquisse pour la decoration de la cathedrale Saint Vladimir a Kiev, Ukraine) (The Agony in the Garden;sketch for the St Volodymyr')
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Agonie dans le jardin des oliviers (esquisse pour la decoration de la cathedrale Saint Vladimir a Kiev, Ukraine) (The Agony in the Garden;sketch for the St Volodymyr')
FIA5384951 Agonie dans le jardin des oliviers (esquisse pour la decoration de la cathedrale Saint Vladimir a Kiev, Ukraine) (The Agony in the Garden; sketch for the St Volodymyrs Cathedral in Kiev) - Oeuvre de Pavel Alexandrovich Svedomsky (Svedomski) (1849-1904), huile sur papier (26x44 cm), 1886, art russe, 19e siecle, academisme - Collection privee by Svedomsky, Pavel Alexandrovich (1849-1904); Private Collection; Photo © Fine Art Images
Media ID 24739780
© Fine Art Images / Bridgeman Images
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EDITORS COMMENTS
This print captures the essence of Pavel Alexandrovich Svedomsky's masterpiece, "Agonie dans le jardin des oliviers". This sketch was created as a preliminary work for the decoration of St Volodymyr's Cathedral in Kiev, Ukraine. Painted with oil on paper, this 26x44 cm artwork dates back to 1886 and belongs to the Russian art movement of the 19th century. The scene depicted is none other than Jesus Christ's agonizing moments in the Garden of Gethsemane before his crucifixion. The artist skillfully portrays the emotional turmoil experienced by Christ through vivid colors and meticulous brushstrokes. The vibrant hues bring life to this biblical narrative, making it come alive before our eyes. Svedomsky's academic style shines through in this piece, showcasing his technical prowess and attention to detail. Every fold in Christ's robe and every leaf on the olive trees are meticulously rendered with precision. As we gaze upon this remarkable artwork, we are transported back in time to witness one of Christianity's most profound moments. It serves as a reminder of Jesus' sacrifice and his unwavering commitment to fulfilling God's plan for humanity. This print is not only a testament to Svedomsky's talent but also an invitation for us to reflect on our own faith and spirituality. Its presence would undoubtedly enrich any space it graces with its beauty and spiritual significance
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