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Columniated ruins of the Temple of Minerva, Forum of Nerva

Columniated ruins of the Temple of Minerva, Forum of Nerva


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Columniated ruins of the Temple of Minerva, Forum of Nerva

449356 Columniated ruins of the Temple of Minerva, Forum of Nerva, Rome (pen & brown ink with wash on paper) by Vrancx, Sebastian (1573-1647); 27.8x39 cm; eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; Flemish, out of copyright

Media ID 23497306

© Reproduced by permission of Chatsworth Settlement Trustees / Bridgeman Images

Columns Corinthian Entablature Flemish Fluted Foliage Forum Frieze Italianate Minerva Nerva Northern Overgrown Remains Romanticist Studies


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> Architecture > Country > Italy > Rome

> Architecture > Drawings

> Architecture > Styles > Baroque Architecture

> Architecture > Styles > Classical Architecture

> Architecture > Styles > Italianate Architecture

> Architecture > Styles > Roman Architecture

> Architecture > Temples

> Arts > Art Movements > Baroque

> Arts > Artists > V > Sebastian Vrancx

> Europe > Italy > Lazio > Rome

> Fine Art Finder > Artists > Sebastian Vrancx

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EDITORS COMMENTS
This print captures the columniated ruins of the Temple of Minerva, located in the Forum of Nerva in Rome. The artist, Sebastian Vrancx, skillfully depicts the remains of this ancient temple through pen and brown ink with wash on paper. Measuring 27.8x39 cm, this study showcases Vrancx's attention to detail and his ability to bring architectural elements to life. The image portrays a scene filled with both beauty and decay. The Corinthian columns stand tall amidst overgrown foliage, creating a striking contrast between nature and man-made structures. The fluted columns exhibit intricate carvings that speak to the craftsmanship of Roman architecture. Vrancx's drawing evokes a sense of romanticism as it transports viewers back in time to an era when this temple was at its prime. The ruins tell stories of ancient civilizations and their reverence for deities like Minerva. The composition highlights not only the grandeur but also the fragility of these architectural wonders. The entablature adorned with friezes adds an extra layer of elegance to this classical setting. This piece serves as a testament to Vrancx's talent as well as his appreciation for Italian Renaissance architecture. It is no wonder that it has found its place among The Devonshire Collections at Chatsworth House. Through this photo print, we are reminded that even in ruin, there is still beauty worth preserving and cherishing from our past civilizations.

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