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St. Francis receives the stigmata among St. Clare and Peter, the blessed Bartolomeo of Breganze, and St. Paul and Bernardino, 1517-18 (oil on panel)

St. Francis receives the stigmata among St. Clare and Peter, the blessed Bartolomeo of Breganze, and St. Paul and Bernardino, 1517-18 (oil on panel)


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St. Francis receives the stigmata among St. Clare and Peter, the blessed Bartolomeo of Breganze, and St. Paul and Bernardino, 1517-18 (oil on panel)

7292508 St. Francis receives the stigmata among St. Clare and Peter, the blessed Bartolomeo of Breganze, and St. Paul and Bernardino, 1517-18 (oil on panel) by Fogolino, Marcello (1470-c.1550); Museo Civico Palazzo Chiericati, Vicenza, Italy; (add.info.: by Marcello Fogolino); Ghigo Roli

Media ID 28002496

© Ghigo Roli / Bridgeman Images

Francis Of Assisi Mannerism Mannerist S Francis Of Assisi Saint Francis Saint Francis Of Assisi Saint Francis Of Assisi 1182 1226 St Francis Of Assisi Stigmata Art Style Reinassance Renaissance Time


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> Arts > Art Movements > Mannerism

> Arts > Artists > S > Paul > Related Images

> Europe > Italy > Heritage Sites > Assisi, the Basilica of San Francesco

> Europe > Italy > Heritage Sites > City of Vicenza and the Palladian

> Europe > Italy > Umbria > Assisi

> Europe > Italy > Veneto > Vicenza

> Fine Art Finder > Artists > Marcello Fogolino

> Fine Art Finder > Artists > Roman Period Egyptian

> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art > Religious themes in renaissance art

> Italian renaissance art


EDITORS COMMENTS
This oil painting, titled "St. Francis receives the stigmata among St. Clare and Peter, the blessed Bartolomeo of Breganze, and St. Paul and Bernardino" was created by Marcello Fogolino in 1517-18 during the Renaissance period. The artwork is currently housed at Museo Civico Palazzo Chiericati in Vicenza, Italy. The scene depicted in this masterpiece showcases a significant event from Christian history – the moment when St. Francis of Assisi received the stigmata, or wounds resembling those of Christ's crucifixion. Surrounding him are other revered figures such as St. Clare, Peter, Bartolomeo of Breganze, St. Paul, and Bernardino. Fogolino's skillful brushwork brings these religious icons to life on a wooden panel canvas with rich colors and intricate details characteristic of Renaissance art style. The composition exudes a sense of divine presence through its use of light and shadow. The painting reflects not only religious devotion but also highlights Fogolino's mastery as an artist during the Mannerist movement characterized by elongated figures and exaggerated poses. As viewers gaze upon this print captured by Ghigo Roli's lens, they are transported back to the 16th century – a time when faith played an integral role in society and artists sought to capture spiritual moments through their works. This print serves as a testament to both historical significance and artistic brilliance that continues to

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