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Triptych of the Calvary (left panel, the Nativity in the upper section, Saint Francis of Assisi

Triptych of the Calvary (left panel, the Nativity in the upper section, Saint Francis of Assisi


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Triptych of the Calvary (left panel, the Nativity in the upper section, Saint Francis of Assisi

XIR897491 Triptych of the Calvary (left panel, the Nativity in the upper section, Saint Francis of Assisi and possibly Saint Julian the Hospitaller in the lower section) (oil on panel) by Weyden, Rogier van der (1399-1464); 54x19 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: Triptyque du Calvaire. Volet gauche, Nativiteau registre superieur, saint Franeois d Assise et peut tre saint Julien l Hospitalier au registre inferieur
); Netherlandish, out of copyright

Media ID 12943970

© www.bridgemanimages.com

Altarpiece Calvary Coin Purse Early Netherlandish Falcon Money Bag Nativity Panel Purse Saint Francis Of Assisi Triptych Winged Northern Renaissance


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> Arts > Artists > W > Rogier van der Weyden

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> Europe > Belgium > Brussels

> Fine Art Finder > Artists > Rogier van der Weyden


EDITORS COMMENTS
This triptych, titled "Triptych of the Calvary" is a masterpiece by the renowned Netherlandish artist Rogier van der Weyden. The left panel of this altarpiece showcases two distinct scenes: the Nativity in the upper section and Saint Francis of Assisi, possibly accompanied by Saint Julian the Hospitaller, in the lower section. In the upper part of this panel, we witness a tender depiction of the Nativity. The Virgin Mary kneels before her newborn child, Jesus, while angels with magnificent wings hover above them. This serene scene exudes a sense of divine tranquility and awe-inspiring beauty. Moving to the lower portion of this artwork, we encounter Saint Francis of Assisi standing gracefully alongside what might be Saint Julian the Hospitaller. Saint Francis is recognizable by his humble appearance and his association with nature; here he holds a falcon on one hand and carries a money bag on his belt. These symbols represent his devotion to poverty and charity. The intricate details in this oil-on-panel painting are truly remarkable. Van der Weyden's skillful brushwork brings each figure to life, capturing their emotions and expressions with great precision. Created during the Northern Renaissance period in 15th century Belgium, this triptych exemplifies early Netherlandish art at its finest. Currently housed at Koninklijk Museum voor Schone Kunsten in Antwerp, Belgium, this print allows us to appreciate van der Weyden

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