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Cover of "Le Rire", number 304, Satirique en Couleurs, 1900. 9. 1 : the chinese questions (engraving)

Cover of 'Le Rire', number 304, Satirique en Couleurs, 1900. 9. 1 : the chinese questions (engraving)


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Cover of "Le Rire", number 304, Satirique en Couleurs, 1900. 9. 1 : the chinese questions (engraving)

ICA4873600 Cover of " Le Rire", number 304, Satirique en Couleurs, 1900.9.1 : the chinese questions (engraving) by Metivet, Lucien (1863-1930); (add.info.: Couverture de " Le Rire", numero 304, Satirique en Couleurs, 1900_9_1: La question chinoise - Asie - Autres croyances/religions - Bouddha - Illustration par Lucien Metivet (1863-1932)); Photo © Caricadoc

Media ID 28015850

© Caricadoc / Bridgeman Images

Amputation Annees 1900 Bouddhisme Bras Buddhism Corps France Francais Francaise Francaises Grimace Hindouisme Hinduism Militaire Mythologie Personnage Mythologique Presse Une De Journal Uniforme Militaire War Invalid A Journal Asian Asian Caricadoc Chineses Gravure Mythological Character Years 1900


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> Arts > Artists > M > Lucien Metivet

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EDITORS COMMENTS
The captivating print showcases the cover of "Le Rire", number 304, Satirique en Couleurs from September 1,1900. The engraving titled "The Chinese Questions" by Lucien Metivet takes center stage in this artwork. With its intricate details and vibrant colors, it captures the essence of military satire and Asian mythology. In this thought-provoking piece, we see a caricatured depiction of a mythological character representing China. Dressed in a military uniform with an amputated arm, he grimaces as he raises his remaining arm towards the heavens. This image symbolizes the struggles faced by China during that time period. Metivet's artistic prowess shines through as he skillfully combines elements of French and Chinese culture within this engraving. The fusion of Buddhism and Hinduism is evident through the presence of Buddha alongside other religious symbols. This artwork not only serves as a commentary on war but also sheds light on cultural differences between France and China at the turn of the century. It reflects how art can be used to convey complex ideas about religion, politics, and society. As we gaze upon this remarkable print from Fine Art Finder, we are transported back to early twentieth-century France where artists like Lucien Metivet pushed boundaries with their creative expressions.

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