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Elizabeth (1750-88) Countess of Hopetoun, 1789 (w / c & gouache on ivory)

Elizabeth (1750-88) Countess of Hopetoun, 1789 (w  /  c & gouache on ivory)


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Elizabeth (1750-88) Countess of Hopetoun, 1789 (w / c & gouache on ivory)

XYC258602 Elizabeth (1750-88) Countess of Hopetoun, 1789 (w/c & gouache on ivory) by Cosway, Richard (1742-1821); 7.6x5.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: third wife of John Hope, 2nd Earl of Hopetoun (1704-81); ); English, out of copyright

Media ID 12774219

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Bride Memento Pendant Scottish Aristocracy


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EDITORS COMMENTS
This miniature portrait captures the elegance and grace of Elizabeth, Countess of Hopetoun. Painted in 1789 by Richard Cosway, this watercolor and gouache on ivory print measures a mere 7.6x5.9 cm but manages to convey the youthful beauty of its subject. Elizabeth, born in 1750, was the third wife of John Hope, the 2nd Earl of Hopetoun. As a member of the Scottish aristocracy, she exudes an air of sophistication and refinement that is further enhanced by her elaborate wig. The oval pendant format adds to the intimate nature of this piece; it serves as a memento capturing Elizabeth's youth and vitality for eternity. Her delicate features are expertly rendered with intricate brushwork and attention to detail. Now housed at Yale Center for British Art as part of their prestigious Paul Mellon Collection in the USA, this artwork showcases Cosway's exceptional talent as a miniaturist painter during the Georgian era. As we gaze upon this exquisite portrait, we are transported back in time to witness Elizabeth's radiance as a young bride. The soft colors and gentle brushstrokes create an ethereal atmosphere that enhances her natural beauty. This remarkable print from Fine Art Finder offers us a glimpse into history while celebrating both artistry and heritage. It reminds us why portraiture has always been such an important medium for capturing moments in time and preserving memories for generations to come

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