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Maesta di Massa Marittima (Virgin in majesty) (tempera and gold on panel, c. 1335)
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Maesta di Massa Marittima (Virgin in majesty) (tempera and gold on panel, c. 1335)
LRI4607916 Maesta di Massa Marittima (Virgin in majesty) (tempera and gold on panel, c.1335) by Lorenzetti, Ambrogio (1285-c.1348); Museo di Arte Sacra, Massa Marittima, Italy; (add.info.: Maesta (tempera and gold on panel) - Maesta di Massa Marittima (Virgin in majeste) - Painting by Ambrogio Lorenzetti (1285-1348), circa 1335, tempera and gold leaf on wood, 161x209 cm. Massa Marittima, Museo di Arte sacra); Luisa Ricciarini; Italian, out of copyright
Media ID 23322246
© Luisa Ricciarini / Bridgeman Images
A Lot Of People Gold Background Prostration Strone Trecento Aureole
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EDITORS COMMENTS
This print showcases the "Maesta di Massa Marittima (Virgin in majesty)" painting by Ambrogio Lorenzetti, created around 1335. The artwork, housed in the Museo di Arte Sacra in Massa Marittima, Italy, is a stunning example of tempera and gold leaf on wood. The painting depicts the Virgin Mary seated majestically with baby Jesus on her lap, surrounded by angels. The artist's meticulous attention to detail is evident in the delicate brushwork and intricate use of gold accents that adorn the figures and background. The radiant aureole behind Mary adds a divine aura to her presence while emphasizing her importance as a religious figure. The composition exudes a sense of reverence and devotion through its portrayal of Mary's prostration towards her child. Lorenzetti's work reflects the artistic style of the Renaissance period with its emphasis on naturalism and human emotion. This piece not only serves as an exquisite representation of biblical characters but also provides insight into Italian art during this time. As we gaze upon this remarkable print, we are transported back to an era where faith played a central role in people's lives. It serves as a reminder of the enduring power that religious art holds over our collective imagination throughout history.
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