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The stoning of St. Stephen: St. Stephen (Stephane), was the first Christian martyr who died by stoning in 36 AD. JC. Painting by Annibale Carracci or Annibal Carrache (1560-1609). 16th century. Dim 0, 42 x 0, 54 m Paris
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The stoning of St. Stephen: St. Stephen (Stephane), was the first Christian martyr who died by stoning in 36 AD. JC. Painting by Annibale Carracci or Annibal Carrache (1560-1609). 16th century. Dim 0, 42 x 0, 54 m Paris
JLJ4647938 The stoning of St. Stephen: St. Stephen (Stephane), was the first Christian martyr who died by stoning in 36 AD. JC. Painting by Annibale Carracci or Annibal Carrache (1560-1609). 16th century. Dim 0, 42 x 0, 54 m Paris, by Carracci, Annibale (1560-1609); Louvre, Paris, France; (add.info.: The stoning of St. Stephen: St. Stephen (Stephane), was the first Christian martyr who died by stoning in 36 AD. JC. Painting by Annibale Carracci or Annibal Carrache (1560-1609). 16th century. Dim 0, 42 x 0, 54 m Paris); Photo © Photo Josse
Media ID 25903072
© Josse / Bridgeman Images
1 1st I Ist Century 1 Century 1st 1st 1st Century 1st Century 1st Century Ad Abuse C1st Chatiment Christendom First Century First Christian Century I Century Ist Century Lapidation Persecution Saint Stephen Christian Martyr Seraph Seraphs Torment Cinquecento Martyr
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EDITORS COMMENTS
This print captures the intense and tragic moment of "The stoning of St. Stephen". Painted by Annibale Carracci or Annibal Carrache in the 16th century, this artwork depicts the first Christian martyr, St. Stephen (Stephane), who met his demise through stoning in 36 AD. Measuring at 0.42 x 0.54 meters, this painting is housed in the Louvre Museum in Paris, France. The image showcases a scene filled with violence and human suffering as St. Stephen faces persecution for his religious beliefs. The artist's skillful brushwork brings to life the torment endured by St. Stephen, emphasizing both his physical pain and unwavering faith amidst adversity. Angels and seraphs hover above him, symbolizing divine presence during his final moments. This piece serves as a powerful reminder of the early struggles faced by Christians and their commitment to their faith even in times of extreme abuse and violence. With its rich historical context and profound religious symbolism, this artwork stands as an important representation of Christianity's early years while also highlighting Carracci's mastery as an Italian painter from the Cinquecento period. As viewers engage with this photo print, they are transported back to a pivotal moment in history where one man's sacrifice became a testament to Christian values that continue to resonate today across different religions around the world.
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