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Nottingham Meadows from the Rock Cliff, where Lenton Road turns into Park Valley
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Nottingham Meadows from the Rock Cliff, where Lenton Road turns into Park Valley
3743970 Nottingham Meadows from the Rock Cliff, where Lenton Road turns into Park Valley (oil on canvas) by Bonington, Richard (1768-1835); 72.3x105.4 cm; Nottingham City Museums and Galleries (Nottingham Castle); eNottingham City Museums & Galleries; English, out of copyright
Media ID 23620540
© Nottingham City Museums & Galleries / Bridgeman Images
Distance Distant East Midlands Meadow River Trent Vista Stroll
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This oil painting by Richard Bonington transports us to the serene Nottingham Meadows, offering a breathtaking view from the Rock Cliff where Lenton Road merges into Park Valley. The artwork, measuring 72.3x105.4 cm, is housed in Nottingham City Museums and Galleries at Nottingham Castle. Bonington's masterful brushstrokes depict a distant landscape of the East Midlands, adorned with vibrant shades of green that stretch as far as the eye can see. In this idyllic scene, figures can be seen strolling along the river Trent, their silhouettes blending harmoniously with the surrounding meadows and fields. The artist skillfully captures both men and women enjoying a leisurely walk amidst nature's beauty. As they traverse through this picturesque vista under an expansive sky adorned with fluffy clouds, one cannot help but feel a sense of tranquility and peace. Bonington's attention to detail brings life to every element within this English countryside painting. From the meticulous rendering of each figure to the subtle play between light and shadow on the rolling hillsides, his work showcases his profound understanding of capturing natural landscapes on canvas. As we gaze upon "Nottingham Meadows from the Rock Cliff" we are transported into a moment frozen in time—a testament to Bonington's ability to evoke emotions through his artistry. This timeless masterpiece continues to captivate viewers today just as it did when it was first created centuries ago.
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