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Love and the Maiden, 1877 (tempera with gold paint & gold leaf on canvas)
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Love and the Maiden, 1877 (tempera with gold paint & gold leaf on canvas)
CH402048 Love and the Maiden, 1877 (tempera with gold paint & gold leaf on canvas) by Stanhope, John Roddam Spencer (1829-1908); 137.9x202.4 cm; Private Collection; Photo eChristies Images; English, out of copyright
Media ID 23680300
© Christie's Images / Bridgeman Images
Cupid Eros Maiden Muse Muses Personification Roses Winged Allegorical Pre Raphaelite
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Love and the Maiden - A Romantic Allegory in Nature's Embrace
EDITORS COMMENTS
. In this masterpiece by John Roddam Spencer Stanhope, we are transported to a world where love and beauty intertwine amidst the enchanting allure of nature. "Love and the Maiden" painted in 1877, is an exquisite example of Pre-Raphaelite artistry that continues to captivate viewers with its timeless charm. The painting depicts a scene set within a lush woodland, where a winged maiden sits gracefully on a moss-covered rock. Her ethereal presence exudes innocence and purity as she gazes lovingly at Cupid, who hovers above her with his bow poised for action. The delicate wings adorning their figures symbolize their divine connection to love itself. Stanhope's attention to detail is evident through his meticulous use of tempera paint infused with gold leaf accents. This technique adds an otherworldly radiance to the canvas, enhancing the magical atmosphere surrounding our protagonists. Floral motifs play a significant role in this allegorical composition; roses bloom abundantly around the maiden, representing passion and romance while embodying femininity. Through these symbols, Stanhope personifies Love as both an emotion and force of nature. This remarkable artwork not only showcases Stanhope's technical prowess but also invites us into a realm where love reigns supreme—a place where muses inspire poets' verses and lovers find solace among whispering trees. It serves as an enduring reminder that even within our modern lives
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