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Illustration by Georges Bigot (1860-1927) for the Cover of Le Panache, royalist magazine illustree, 1903-5-5 - Royalism, Africa, Algeria, President of the Republic, Maghreb - Monkey, Loubet Emile
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Illustration by Georges Bigot (1860-1927) for the Cover of Le Panache, royalist magazine illustree, 1903-5-5 - Royalism, Africa, Algeria, President of the Republic, Maghreb - Monkey, Loubet Emile
ICA4888262 Illustration by Georges Bigot (1860-1927) for the Cover of Le Panache, royalist magazine illustree, 1903-5-5 - Royalism, Africa, Algeria, President of the Republic, Maghreb - Monkey, Loubet Emile; (add.info.: Illustration by Georges Bigot (1860-1927) for the Cover of Le Panache, royalist magazine illustree, 1903-5-5 - Royalism, Africa, Algeria, President of the Republic, Maghreb - Monkey, Loubet Emile); Photo © Caricadoc
Media ID 38168424
© Photo © Caricadoc / Bridgeman Images
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EDITORS COMMENTS
This illustration by Georges Bigot for the cover of Le Panache, a royalist magazine from 1903, is a striking depiction of the political climate in Algeria and the Maghreb region during that time. The image features a monkey representing President Loubet Emile, symbolizing his perceived incompetence or lack of intelligence in handling affairs related to Africa.
Bigot's intricate detailing and skillful use of satire highlight the tensions between royalism and republicanism in French colonial rule over Algeria. The choice to portray Loubet as a monkey suggests a commentary on his leadership style and policies towards North African territories.
The artist's bold composition and clever symbolism invite viewers to reflect on power dynamics, imperialism, and cultural perceptions prevalent during this period. Through his artistry, Bigot challenges conventional notions of authority and exposes underlying prejudices within society.
This historical print serves as a poignant reminder of the complexities surrounding colonialism and nationalism in early 20th-century France. It prompts us to consider how visual representations can shape our understanding of political figures and their impact on diverse communities.
Overall, this illustration by Georges Bigot offers valuable insights into the intersection of art, politics, and identity within the context of imperial history.
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