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Two nymphs attending at the Dianas bath, from the Room of Diana and Actaeon, detail of 2384753, 1524

Two nymphs attending at the Dianas bath, from the Room of Diana and Actaeon, detail of 2384753, 1524


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Two nymphs attending at the Dianas bath, from the Room of Diana and Actaeon, detail of 2384753, 1524

2384764 Two nymphs attending at the Dianas bath, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato, Rocca Sanvitale, stanza (o stufetta) di Diana e Atteone: particolare del ciclo di affreschi del Parmigianino (Girolamo Francesco Maria Mazzola) raffiguranti il mito di Diana e Atteone, tratto dalle Metamorfosi di Ovidio. La stanza, affrescata nel 1524, era probabilmente il bagno privato di Paola Gonzaga, moglie di Galeazzo Sanvitale. Due ninfe assistono al bagno di Diana, parete Ovest.
Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of the ceiling with the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovids Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale. Two nymphs attending at the Dianas bath); Ghigo Roli

Media ID 25145582

© Ghigo Roli / Bridgeman Images

Actaeon Architectural Detail Artemis Atteone Bathing Bathroom Cherubim Cherubini Diana Gonzaga Paola High And Late Renaissance Metamorphoses Muralist Painte Parma Parmigianino Parmigianino 1503 1540 Putti Cherub Cherubs Reinassance Renaissance Time Semi Nude


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> Historic > Renaissance art > High Renaissance art

> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art

> Italian renaissance art

> Italian Renaissance


EDITORS COMMENTS
This print captures a mesmerizing scene from the Room of Diana and Actaeon at Rocca Sanvitale in Fontanellato, Parma, Italy. Painted by Parmigianino (Francesco Mazzola) in 1524, this detail showcases his exquisite talent and mastery of fresco painting. The room is believed to have been the private bath of Paola Gonzaga, wife of Galeazzo Sanvitale. The cycle of frescoes depicts the mythological tale of Diana and Actaeon as described in Ovid's Metamorphoses. In this particular section, two nymphs are attending to Diana during her bath. Parmigianino's attention to detail is evident in every brushstroke; he beautifully captures the grace and elegance of these mythical figures. The delicate play of light and shadow adds depth to their forms, enhancing their ethereal beauty. As we gaze upon this image, we are transported back in time to witness a moment frozen forever on these walls. We can almost hear the gentle rustling of water as it cascades into Dianas bath while the nymphs gracefully assist her. This print offers us a glimpse into an era long gone but preserved through art. It serves as a reminder that even centuries later, Parmigianino's work continues to captivate viewers with its timeless allure.

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