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Illustration by William Blake (1757-1827) English poet, painter and printmaker, for Edward Young's (1681-1765) poem Night Thoughts published 1742-1745. Night the Third, Narcissa. Dedicated to Margaret Bentinck
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Illustration by William Blake (1757-1827) English poet, painter and printmaker, for Edward Young's (1681-1765) poem Night Thoughts published 1742-1745. Night the Third, Narcissa. Dedicated to Margaret Bentinck
544354 Illustration by William Blake (1757-1827) English poet, painter and printmaker, for Edward Young's (1681-1765) poem Night Thoughts published 1742-1745. Night the Third, Narcissa. Dedicated to Margaret Bentinck. by Blake, William (1757-1827); Universal History Archive/UIG
Media ID 33068896
© Universal History Archive/UIG / Bridgeman Images
Blake Dedicated Edward Margaret Printmaker Published Thoughts William 1757 1827 Bentinck
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This print showcases an exquisite illustration by the renowned English poet, painter, and printmaker William Blake. Created for Edward Young's timeless poem "Night Thoughts" which was published between 1742 and 1745, this particular artwork belongs to the third night titled "Narcissa". The dedication of this piece is attributed to Margaret Bentinck. Blake's artistic prowess shines through in this intricate illustration, showcasing his mastery of both poetry and visual art. The delicate details and ethereal atmosphere transport viewers into a world of contemplation and introspection. Through skillful brushstrokes, Blake captures the essence of Young's poetic verses, evoking a sense of melancholy yet profound beauty. The collaboration between two great minds from different artistic realms gives birth to a harmonious fusion that transcends time. This print serves as a testament to the enduring power of art in conveying complex emotions and ideas across various mediums. Bridgeman Images has expertly captured every nuance of Blake's original work with stunning clarity. As you gaze upon this mesmerizing image, allow yourself to be transported into the depths of Night Thoughts' narrative while appreciating the genius behind both Young's words and Blake's visual interpretation.
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