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Winter in the Trinity-St. Sergius Lavra in Sergiyev Posad, c. 1910 (oil on canvas)
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Winter in the Trinity-St. Sergius Lavra in Sergiyev Posad, c. 1910 (oil on canvas)
BAL153676 Winter in the Trinity-St. Sergius Lavra in Sergiyev Posad, c.1910 (oil on canvas) by Dubovskoy, Nikolay Nikanorovich (1859-1918); 21.4x37.8 cm; Art Museum of Yaroslavl, Russia; (add.info.: monastery founded 1337-40 by St. Sergius of Radonezh; one of the monasteries of the Golden Ring; ); Russian, out of copyright
Media ID 12729178
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Byzantine Architecture Onion Dome Orthodox Russian Architecture
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Winter in the Trinity-St. Sergius Lavra in Sergiyev Posad, c. 1910
EDITORS COMMENTS
is a captivating oil on canvas masterpiece by Nikolay Nikanorovich Dubovskoy that beautifully captures the essence of a snowy Russian landscape. The painting showcases the iconic Trinity-St. Sergius Lavra, a historic monastery founded by St. Sergius of Radonezh between 1337 and 1340. The scene depicts the lavishly adorned onion domes of the monastery peeking through a blanket of pristine white snow, creating an enchanting contrast against the clear blue sky. The artist's meticulous attention to detail brings out the intricate architectural features and Byzantine influences present in this religious complex. As we gaze upon this artwork, we are transported back in time to early 20th-century Russia, where winter's icy grip transforms familiar landscapes into magical wonderlands. The tranquility and serenity captured within this painting evoke a sense of peace and contemplation often associated with spiritual sanctuaries like Trinity-St. Sergius Lavra. This print serves as both a visual delight for art enthusiasts and history buffs alike, offering us an opportunity to appreciate not only Dubovskoy's artistic talent but also Russia's rich cultural heritage embodied by this renowned landmark. Displayed at the Art Museum of Yaroslavl in Russia, this timeless piece continues to inspire awe and admiration for its ability to encapsulate both natural beauty and architectural grandeur within one frame—a testament to Dubovsk
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