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The Annunciation, outer panel from the Triptych of Moses and the Burning Bush, c
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The Annunciation, outer panel from the Triptych of Moses and the Burning Bush, c
XIR173009 The Annunciation, outer panel from the Triptych of Moses and the Burning Bush, c.1476 (oil on panel) by Froment, Nicolas (c.1425-c.83/86); St. Sauveur Cathedral, Aix-en-Provence, France; (add.info.: Triptyque du Moise et le Buisson Ardent; ); French, out of copyright
Media ID 12740440
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Angel Gabriel Annonciation Archangel Grisaille Niche Olive Branch Trompe Loeil Winged Aedicule
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The Annunciation, outer panel from the Triptych of Moses and the Burning Bush
EDITORS COMMENTS
is a captivating print that captures a moment of divine revelation. Painted by Nicolas Froment in 1476, this oil on panel artwork showcases his exceptional talent and mastery of technique. The image depicts the iconic biblical scene where Archangel Gabriel appears before the Virgin Mary to announce her role as the mother of Jesus Christ. The sculpture-like figures are exquisitely carved with intricate details, bringing them to life within their trompe l'oeil niche. With wings outstretched, Gabriel stands before Mary who sits gracefully reading. The gothic and renaissance influences are evident in the delicate arches and ornate design elements surrounding them. A sense of serenity fills the air as they engage in this sacred encounter. Notably, Mary holds an olive branch symbolizing peace while listening attentively to Gabriel's message. This grayscale composition adds depth and emphasizes their spiritual connection amidst heavenly light streaming through stained glass windows. Located at St. Sauveur Cathedral in Aix-en-Provence, France, this masterpiece has stood for centuries as a testament to Froment's artistic brilliance. Its timeless beauty continues to inspire awe and reverence among all who behold it. This remarkable print allows art enthusiasts worldwide to appreciate its magnificence without leaving their homes or traveling great distances. It serves as a reminder of humanity's enduring fascination with religious narratives depicted through visual arts throughout history.
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