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The Nativity with God the Father and the Holy Ghost, c. 1740 (oil on canvas)
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The Nativity with God the Father and the Holy Ghost, c. 1740 (oil on canvas)
3700768 The Nativity with God the Father and the Holy Ghost, c.1740 (oil on canvas) by Pittoni, Giovanni Battista (1687-1767); 222.7x153.5 cm; National Gallery, London, UK; Italian, out of copyright
Media ID 23647110
© Bridgeman Images
18th Baby Jesus Birth Cherubim Gospels Holy Family Holy Ghost Holy Spirit Joseph Nativity Putti Rococo Straw Trinity Cherub Cherubs
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EDITORS COMMENTS
This oil painting, "The Nativity with God the Father and the Holy Ghost" by Giovanni Battista Pittoni, transports viewers to a sacred moment in biblical history. Measuring an impressive 222.7x153.5 cm, this masterpiece is housed in the prestigious National Gallery in London. Pittoni's work beautifully depicts the holy scene of Jesus Christ's birth, surrounded by divine figures and celestial beings. The artist skillfully captures the essence of Christian faith through his meticulous brushstrokes and attention to detail. At the center of the composition stands Mary, the Virgin Mother, cradling baby Jesus with utmost tenderness. Joseph stands beside her as a symbol of support and protection. Above them hovers God the Father and the Holy Ghost, emanating heavenly light upon this miraculous event. Angels grace every corner of this artwork, their ethereal presence illuminating each stroke on canvas. Cherubs playfully adorn scenes surrounding Mary and Joseph with their innocent charm. Pittoni's use of vibrant colors adds depth to this Rococo-style painting while emphasizing its spiritual significance. The soft glow from straw-laden surroundings creates a warm atmosphere that envelops viewers in awe-inspiring reverence. "The Nativity with God the Father and Holy Ghost" serves as a visual testament to Italian artistry during Europe's eighteenth century enlightenment period. Its timeless beauty continues to inspire devotion among those who encounter it at one of London's most esteemed galleries.
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