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Marmaduke Tunstall, Esq. of Wycliffe

Marmaduke Tunstall, Esq. of Wycliffe


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Marmaduke Tunstall, Esq. of Wycliffe

944667 Marmaduke Tunstall, Esq. of Wycliffe by Walton, Henry (1746-1813); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; (add.info.: Marmaduke Tunstall (1743 - 11 October 1790) was an English ornithologist and collector. He was the author of Ornithologica Britannica (1771), probably the first British work to use binomial nomenclature. Half-brother to John Constable.); eLeeds Museums and Galleries; English, out of copyright

Media ID 22202068

© Leeds Museums and Galleries / Bridgeman Images

Collector Formal Ornithologist Wycliffe Britannica Marmaduke Tunstall


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EDITORS COMMENTS
The captivating portrait of Marmaduke Tunstall, Esq. of Wycliffe transports us back to the Georgian era, where formal elegance and intellectual pursuits reigned supreme. Painted by Henry Walton, this exquisite print captures the essence of a man who left an indelible mark on the world of ornithology. Marmaduke Tunstall was not only a collector but also an accomplished author, known for his groundbreaking work Ornithologica Britannica. Published in 1771, it revolutionized British ornithology by introducing binomial nomenclature for the first time. His dedication to studying and documenting birds earned him a place among the most influential figures in this field. In this oval-shaped portrait, we see Marmaduke Tunstall dressed impeccably in period costume. The attention to detail is evident as every fold and crease exudes refinement and sophistication. With his penetrating gaze fixed upon us, he holds our curiosity captive as if inviting us into his world of avian wonders. As half-brother to renowned artist John Constable, Marmaduke Tunstall's passion for nature seems almost hereditary. This painting not only immortalizes his contribution to science but also serves as a testament to his legacy within the artistic realm. Displayed at Leeds Museums and Galleries (Leeds Art Gallery) in the United Kingdom, this print allows us to appreciate both its historical significance and aesthetic beauty. It stands as a reminder that even centuries

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